American Cinematographer - December 1999 - 110

Pepsi cans and preserve the impact
the rock 'n' roll concert lighting, but

of
he
also wanted to give the director the
opportunity to soften things up in post if
necessary. "You want to provide direc¬
tors with as many options as possible,"
he says. "I think they respect that a lot."
Having explored all of the various
stocks available, Notarile finds Kodak's
to be the most versatile. On this
..

^

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Robert pfiumm

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really nice, and really healthy, to partici¬
pate in various types of jobs," he says,
adding that he also enjoys finding ways
to fuse genres. "When you aspire to do
all kinds of things, it broadens your hori¬
zons, and it keeps you that much sharper.
When I look through a camera, and my
ear is next to that magazine, it's a very
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on your sensibilities as a human and an
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Notarile began his career as a
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American Cinematographer - December 1999

Table of Contents for the Digital Edition of American Cinematographer - December 1999
