American Cinematographer - December 1999 - 114
Introducing UltiMate
ground pin for "Mate First/Break Last"
lamp grounding.
The SeaPar underwater HMI,
onto 16mm and 35mm film.
received
lution
a
Technical
Achievement
Academy of
Motion Picture Arts and Sciences for
"Safety and Portability On Wet or Dry
passing NASA's Hazard Risk
Assessment program, the lighting
system is, to date, the only underwater
lighting to be allowed in NASA's
"Neutral Buoyancy Lab" in Houston,
Texas for the filming of Armageddon in
1998. The system was used again in
NASA's NBL for a National Geographic
production and Clint Eastwood's upcom¬
ing feature, Space Cowboys.
The SeaPar 1200W HMI weighs
just 4.5 lbs. underwater and is rated to a
depth of 120'.
Hydroflex, (310) 310-8187, fax
Sets." After
FOR 35 AND
16MM MOTION PICTURES
As the name says, UltiMate is the ultimate handheld or
tripod-mounted director's finder-featuring interchangeable
lens mountings, multiple camera-type/format-type ground
glasses-for a variety of shooting formats.
UltiMate16 is the only finder on the market today speci¬
fically designed for Super-16/16mm formats, providing a
magnified, suitably large viewing image for the user.
Both versions of the UltiMate are available with an optional
modular, 1/2-inch CCD video-tap. And with its comfortable,
adjustable handle, you won't want to be on the set or on
location without
one,
m KISH
(310) 821-9886. website address:
hydroflex.com.
US OPTICS
capable of
shooting in a range of resolutions (includ¬
ing NTSC, PAL and HD) and recording
originally designed by Richard Mula and
Pete Romano for the film The Abyss,
Award in 1991 from the
The Ultimate Director's Finder
resolution. The recorder is
www.
4653 Lankershim Boulevard North Hollywood, CA 91602
818-506-5800 Office / 818-506-5856 Fax
"HD video is
so
close to 2K
reso¬
that it looks
good on the big
screen," says CELCO marketing director
John Constantine. "It's theatrical quality.
The speed and price of our extreme HDR
now
makes it
more
feasible for filmmakers to
shoot HD because it
brings down the
cost-per-foot or cost-per-minute to record
to film."
The extreme HDR will shoot the
1920
x
1080 HD format at
a
rate of five
seconds per frame, comparable to a laser
recorder. The software is able to sharpen
images on the fly and contains interpola¬
tion tools for increasing resolution.
CELCO has continued making technolog¬
ical advancements to its EBX Advanced
CRT
technology deflects an electron
by non-mechanical means for
increased reliability.
beam
CELCO (West Coast), 909-481-
4648, fax 909-481-6899, (East Coast),
201-327-1123, fax 201-327-7047, e-mail:
info@celco.com, website address: www.
celco.com.
SCENE MAKERS
Long-Life Lamps
Stage Lighting Co. of
VIVI-TAP VIDEO ASSIST
jj
Altman
*High res. lens
Yonkers, New York, has ushered in a
-ASA 25600
line of cool output CDM-TV Fresnels that
can withstand the rigors of HDTV and
O 100*00*- 12V DC Power
.
*
I
around-the-clock
Uses compact
operation. The Ceramic
Discharge Metal-Halide lamps are
designed around the Master Color lamp
technology by Philips.
The energy-efficient CDM-TV
technology combines the color stability
and extended life of high-pressure
sodium lamps with the near white light
and higher output of metal-halide lamps.
b&wCCD
^
J|
& durable
Fits 16 & 35mm
Arri, Bolex, Aaton, Mitchell
DIRECTORS' VIEWFINDERS
The Future-Vu
A compact
-
sleek and arty
4oz. of vision!
The Ultra-Vu when size matters
A solid
buy at 10
new
oz.
The 150-watt Altman CDM-TV Fresnel,
Both viewfinders offer:
*
*
*
provides the output of a 1,000W studio
just 1.5 amps.
fresnel but draws
""Jk
The UV-blocked CDM bulb offers
Internal, adjustable aspect ratio masks
Use w/35mm, 16mm, anamorphic & video
35mm
zoom
range:
available
High-Definition Recorder
CELCO has recently
18-200mm
only from
new
extreme
HDR
debuted a
High Definition
Recorder. The extreme HDR, which
stable color temperature of 3,000°k, a
CRI of 85+, a rated efficiency of up to 92
a
lumens per watt and an average lamp
life of 10,000 hours.
records onto
Quality film products on a budget
110
Tel: 323.656.7125 * Fax: 323.656.6280
www.oken3d.com/mazilview
Email: eleshin@aol.com
camera negative or inter¬
mediate film stock, is designed and opti¬
mized to shoot at 1920 x 1080 HD
The CDM-TVs
are
available in
150W, 75W and 35W sizes in both loca¬
tion
and
hanging versions. Design
American Cinematographer - December 1999
Table of Contents for the Digital Edition of American Cinematographer - December 1999
American Cinematographer - December 1999 - 1
American Cinematographer - December 1999 - 2
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American Cinematographer - December 1999 - 108
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American Cinematographer - December 1999 - 111
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American Cinematographer - December 1999 - 113
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