American Cinematographer - December 1999 - 121

Avid

Follow
local Kodak repre¬
sentative, or visit the company's website
at www.kodak.com/go/motion.

D re

Europe has opened a fluid
head and tripod service facility in
London to provide a local repair point for
European dealers and customers. Miller
Fluid Heads manufacturers a complete
range of fluid heads, tripods, jib arms

Industry
Seminars

IV mm
to

Production

Workshops

H

ft

Tripod Service

Miller

Principles of
Lighting

ifou

Contact your

London

Final Cut Pro

Rim
Aesthetics

http:// www. columbiacoltege.

TV Camera

Operation

Scriptwriting
Financial
for

Aid

those

available

who

Federal

Pell

Grants,

and

&

qualify:
Title

Rim

IV

Budgeting &
Planning

and accessories for ENG, EFP, film and
DV

Editing

Cal Grants.

Directing

production.
For service facility information,

camera

contact Mark Blaker or Graham Adams

Cinematoqra
)araphy

at+44 (0)181 742 3022.

Lights On High
Lights Up! Industries of Los
Angeles offers a wide range of lighting
solutions, from 4K tungsten to 16K HMI
applications, in the form of Airstar
helium lighting balloons. The light
source evenly illuminates an area up to
400' x 400' with 360 degrees of soft,
diffused fill light that casts a virtually
shadowless moonlight quality with no
hot spots. All are inflated with non-flam¬
mable helium gas, and all have built-in
safety features, including an automatic
shut-off switch in case of a significant

r

ncra

by Peter Ettedgui

The 17 directors of

photography
profiled in this book encompass
three generations of filmmaking,
representing a wide range of visual
styles - from The African Queen to
Delicatessen. Lavishly illustrated with
over 500 color pictures, 300 blackand-white photos, and numerous
diagrams, this reference features
informative accompanying text
based

loss of helium.

(213) 746-7215,

interviews with each

cinematographer,
this is a perfect book for practicing
professionals, students, and movie

Lights Up! Industries, (213) 741 0124 ext. 214, fax

on

e-

mail:

sales@lightsup.net, website:
www.lightsup.net.

buffs alike.

The

Avid For The New

Apple
Avid Technology has announced
its
intention to
support Apple
Computer's new Power Mac G4 platform
with releases of the Media Composer XL
8.1 and

Xpress 3.1 professional editing
systems by the end of 1999. In addition
to the performance improvements of the
G4, editors will have the option for the
first time on a Macintosh platform of
creating broadcast-quality productions
with dual streams of real-time

uncom¬

pressed ITU-R 601 video. The G4 will
provide faster media management,

transcoding and visual effects rendering.
By mid-2000, Avid also plans to
add 24p Universal Offline Editing capa¬
bility and 24 fps Feature Film Editing to

cinematographers featured:
Douglas
Slocombe, BSC * Sven Nykvist, ASC

Jack Cardiff, BSC *

npmatograph

*

Subrata Mitra

*

Raoul Coutard

*

Haskell Wexler, ASC *
Laszlo Kovacs, ASC *
BSC

*

Billy Williams,
Robby Muller, NSC, BVK *

Gordon Willis, ASC * Michael

Chapman, ASC * John Seale, ASC,
ACS * Stuart Dryburgh * Roger
Deakins, ASC, BSC * Eduardo
* Janusz Kaminski, ASC

Serra, AFC
*

Darius

Khondji, ASC, AFC

Softcover, 9"

x

12", 208 pages

$37.00

(800) 448-0145
www.cinematographer.com

117



American Cinematographer - December 1999

Table of Contents for the Digital Edition of American Cinematographer - December 1999

American Cinematographer - December 1999 - 1
American Cinematographer - December 1999 - 2
American Cinematographer - December 1999 - 3
American Cinematographer - December 1999 - 4
American Cinematographer - December 1999 - 5
American Cinematographer - December 1999 - 6
American Cinematographer - December 1999 - 7
American Cinematographer - December 1999 - 8
American Cinematographer - December 1999 - 9
American Cinematographer - December 1999 - 10
American Cinematographer - December 1999 - 11
American Cinematographer - December 1999 - 12
American Cinematographer - December 1999 - 13
American Cinematographer - December 1999 - 14
American Cinematographer - December 1999 - 15
American Cinematographer - December 1999 - 16
American Cinematographer - December 1999 - 17
American Cinematographer - December 1999 - 18
American Cinematographer - December 1999 - 19
American Cinematographer - December 1999 - 20
American Cinematographer - December 1999 - 21
American Cinematographer - December 1999 - 22
American Cinematographer - December 1999 - 23
American Cinematographer - December 1999 - 24
American Cinematographer - December 1999 - 25
American Cinematographer - December 1999 - 26
American Cinematographer - December 1999 - 27
American Cinematographer - December 1999 - 28
American Cinematographer - December 1999 - 29
American Cinematographer - December 1999 - 30
American Cinematographer - December 1999 - 31
American Cinematographer - December 1999 - 32
American Cinematographer - December 1999 - 33
American Cinematographer - December 1999 - 34
American Cinematographer - December 1999 - 35
American Cinematographer - December 1999 - 36
American Cinematographer - December 1999 - 37
American Cinematographer - December 1999 - 38
American Cinematographer - December 1999 - 39
American Cinematographer - December 1999 - 40
American Cinematographer - December 1999 - 41
American Cinematographer - December 1999 - 42
American Cinematographer - December 1999 - 43
American Cinematographer - December 1999 - 44
American Cinematographer - December 1999 - 45
American Cinematographer - December 1999 - 46
American Cinematographer - December 1999 - 47
American Cinematographer - December 1999 - 48
American Cinematographer - December 1999 - 49
American Cinematographer - December 1999 - 50
American Cinematographer - December 1999 - 51
American Cinematographer - December 1999 - 52
American Cinematographer - December 1999 - 53
American Cinematographer - December 1999 - 54
American Cinematographer - December 1999 - 55
American Cinematographer - December 1999 - 56
American Cinematographer - December 1999 - 57
American Cinematographer - December 1999 - 58
American Cinematographer - December 1999 - 59
American Cinematographer - December 1999 - 60
American Cinematographer - December 1999 - 61
American Cinematographer - December 1999 - 62
American Cinematographer - December 1999 - 63
American Cinematographer - December 1999 - 64
American Cinematographer - December 1999 - 65
American Cinematographer - December 1999 - 66
American Cinematographer - December 1999 - 67
American Cinematographer - December 1999 - 68
American Cinematographer - December 1999 - 69
American Cinematographer - December 1999 - 70
American Cinematographer - December 1999 - 71
American Cinematographer - December 1999 - 72
American Cinematographer - December 1999 - 73
American Cinematographer - December 1999 - 74
American Cinematographer - December 1999 - 75
American Cinematographer - December 1999 - 76
American Cinematographer - December 1999 - 77
American Cinematographer - December 1999 - 78
American Cinematographer - December 1999 - 79
American Cinematographer - December 1999 - 80
American Cinematographer - December 1999 - 81
American Cinematographer - December 1999 - 82
American Cinematographer - December 1999 - 83
American Cinematographer - December 1999 - 84
American Cinematographer - December 1999 - 85
American Cinematographer - December 1999 - 86
American Cinematographer - December 1999 - 87
American Cinematographer - December 1999 - 88
American Cinematographer - December 1999 - 89
American Cinematographer - December 1999 - 90
American Cinematographer - December 1999 - 91
American Cinematographer - December 1999 - 92
American Cinematographer - December 1999 - 93
American Cinematographer - December 1999 - 94
American Cinematographer - December 1999 - 95
American Cinematographer - December 1999 - 96
American Cinematographer - December 1999 - 97
American Cinematographer - December 1999 - 98
American Cinematographer - December 1999 - 99
American Cinematographer - December 1999 - 100
American Cinematographer - December 1999 - 101
American Cinematographer - December 1999 - 102
American Cinematographer - December 1999 - 103
American Cinematographer - December 1999 - 104
American Cinematographer - December 1999 - 105
American Cinematographer - December 1999 - 106
American Cinematographer - December 1999 - 107
American Cinematographer - December 1999 - 108
American Cinematographer - December 1999 - 109
American Cinematographer - December 1999 - 110
American Cinematographer - December 1999 - 111
American Cinematographer - December 1999 - 112
American Cinematographer - December 1999 - 113
American Cinematographer - December 1999 - 114
American Cinematographer - December 1999 - 115
American Cinematographer - December 1999 - 116
American Cinematographer - December 1999 - 117
American Cinematographer - December 1999 - 118
American Cinematographer - December 1999 - 119
American Cinematographer - December 1999 - 120
American Cinematographer - December 1999 - 121
American Cinematographer - December 1999 - 122
American Cinematographer - December 1999 - 123
American Cinematographer - December 1999 - 124
American Cinematographer - December 1999 - 125
American Cinematographer - December 1999 - 126
American Cinematographer - December 1999 - 127
American Cinematographer - December 1999 - 128
American Cinematographer - December 1999 - 129
American Cinematographer - December 1999 - 130
American Cinematographer - December 1999 - 131
American Cinematographer - December 1999 - 132
American Cinematographer - December 1999 - 133
American Cinematographer - December 1999 - 134
American Cinematographer - December 1999 - 135
American Cinematographer - December 1999 - 136
American Cinematographer - December 1999 - 137
American Cinematographer - December 1999 - 138
American Cinematographer - December 1999 - 139
American Cinematographer - December 1999 - 140
American Cinematographer - December 1999 - 141
American Cinematographer - December 1999 - 142
American Cinematographer - December 1999 - 143
American Cinematographer - December 1999 - 144
American Cinematographer - December 1999 - 145
American Cinematographer - December 1999 - 146
American Cinematographer - December 1999 - 147
American Cinematographer - December 1999 - 148
American Cinematographer - December 1999 - 149
American Cinematographer - December 1999 - 150
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com