American Cinematographer - December 1999 - 124

repairing holes in gel and diffusion
Simply cut Geltape to desired
length, peel off the seamed transparent
backing and apply directly to any
surface. They come in 5.375" x 25' rolls.

i

or

Barbizon

frames.

Also

Color Correction
and Offset Arm
New York-based Rocketech has
announced

Geltape, a complete line of
adhesive-backed color correction and

new

Barbizon

HD Dailies

and

Screenings
Group and The Post

The Post

Group Westside, based in Hollywood
Angeles, California respectively,
is offering high-definition video dailies
and screenings through the Post Group
and Los

Cinema process.
Post Group

Cinema begins with
delivery of film negative to The Post
Group where it is transferred to highdefinition videotape. Those HD video

the

rushes

are

viewed

on

location at

MASTER CLASS SERIES VIDEOS

This unique series, sponsored by
Program, has great value to both

Lighting Dances With Wolves With Dean Sender, ASC, ACS

Shooting for Realism With Allen Daviau, ASC & Sacha Viemy

Program highlights:
*

Daviau

andVierny were each given the same script and set to work with,
approaches to the problem.

and they share their individual

Computer graphics of the lighting setups as well, as side-by-side
comparisons of the finished scenes, illustrate their approaches.
*

F802

55 min.

Producer: AFTRS

Shooting for Drama With Robby Muller, NSC, BVK &

The relationship between lighting design and coverage.
The best use of high-speed film stocks in low-light situations.
F785
29 min.
Producer: AFTRS

Peter

Lighting Dead Poets Society With John Seale, ASC, ACS

Each cinematographer was given the same script and set constraints.
'file results were beautiful images that reflect, their different backgrounds
and philosophies on the art and business of filmmaking.
The video culminates with a split-screen comparison of each

*

*

James, ASC, ACS, CSC

Program highlights:
*

Seale guides the students

and our camera through the lighting setups
set in summer, winter, night and day.
divulges tricks and techniques that he uses to achieve
extremely difficult effects while maximizing the number of takes each
day.
*

he used for scenes
*

He also

28 min.

F786

Studio

Producer: AFTRS

Lighting: A Comparative Workshop With

Donald McAlpine, ASC, ACS & Denis Lenoir,
Topics include:
*
*

AFC

Studio practice

Color temperature

*

Lighting metering

Use of practical lamps
F787
59 min.

*

cinematographers finished piece.
F803

Shooting for Fantasy With Sacha Viemy & Denis Lenoir
Program highlights:
Lenoir demonstrates how to use one special effect to hide
Learn how to combine several effects to create magic.
F804
55 min.
Producer: AFTRS
*

Producer: AFTRS

to

*
*

*

be critical
Producer: AFTRS

29 min.

can

day.

55 min.

Producer: AFTRS

All videos VHS/NTSC

of natural

How fast stocks and fast work

F788

120

use

the present

F805

lighting resources.
Working with limited space on location.
Maximum

another.

*

*

Lighting With Geoff Burton

Topics include:

Producer: AFTRS

Program highlights:
As well as being a storehouse of practical information, this
program is an
ode to the haunting beauty of black-and-white cinematography and a
wonderful essay on the changing art of the cinematographer from the 1920s

*

Location

55 min.

Shooting for Black-and-white With Allen Daviau & Denis Lenoir

Lighting design

*

inemato^rapher. com
(800) 448-0145
w w w. c

to success.

16x9

Groups HD edit
bay with the end result being an HD
version of a film complete with opticals,
titles and effects for preview screenings.
The Post Group Cinema process

RAPHY

Program includes Sender discussing and demonstrating:
*Widescreen composition.

a

assembled at the Post

,

the Kodak Worldwide Student
students and working
cinematographers.Nine of the world's finest directors of photography
share their experience in a workshop setting, as they guide you
through a series of professional lighting problems both in the studio
and on location. Computer animation is used to vividly illustrate the
approaches used to solving them.

e-

rocketech@mindspring.com.
Lighting, (212) 586-1620.

aspect ratio using an electronic digital
projection system. Upon completion of
the edit decision list, the project is

light diffusion filters for both fluorescent
and incandescent bulbs. The gels may be
wrapped around a fluorescent tube, and
are heat-rated to 200° F. Geltape is also
useful for gelling small windows and
mirrors and existing light fixtures, creat¬
ing customized dots and fingers and

u

mail:

from Rocketech is the

Spinning Offset, a baby offset arm that
incorporates a rotating feature allowing
for profiled rigging of lighting units out of
camera frame or in low-clearance appli¬
cations. The arm also telescopes from 8"
to 12". The Spinning Offset features a
dual receiver post to accommodate both
baby and junior pins as well as a
short/long pin configuration on the rotat¬
ing end.
Both Geltape and the Spinning
Offset are available through Rocketech

Lighting.

Rocketech, (800) 920-6620,
American Cinematographer - December 1999

Table of Contents for the Digital Edition of American Cinematographer - December 1999
