American Cinematographer - December 1999 - 71

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Biddle wanted audiences
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nor

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making it sort of look stupid
but not, you know? It's also an editing
as

much coverage as

possible, and then
sharpen it all up in the editing."
The intense beam of a police
spotlight raking across the factory
windows from outside heralds the
of

the helicopter attack
during which the craft uses
belly-mounted circular-saw-type
blades to slice its way into Zukovsky's
start

sequence,

lair

and

roadster. To

concept through post production stabilization.
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rotor blades had been removed and
would be later

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versions in postproduction. To add
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chopper is flying within the
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American Cinematographer - December 1999

Table of Contents for the Digital Edition of American Cinematographer - December 1999