American Cinematographer - January 2000 - 36

Director Oliver

cinematographs
gridiron drama
by Chris Pizzello
Unit

photography by

Robert Zuckerman

"Because I have lived

release, Totino could chuckle at the

ing his first snap from center in
the pressure-packed atmosphere
of an NFL season opener, cine¬

I ike a ro kie quarterback recal¬

the shoot, when I realized I had lost
18

pounds!"

matographer Salvatore Totino
can identify the exact moment when
the enormity of the challenge in

first time since Stone's 1981 horror

front of him became clear. In the

film

midst of

provocative auteur has worked with a
cinematographer other than the

have made Daniel Webster shudder."

Vietnam."

a hectic, disorienting first
day of principal photography on
Totino's first feature film, Any Given
Sunday, director Oliver Stone sidled
up to his 35-year-old collaborator
and slyly intoned, "Welcome to

Many months later, after the

Former-NFL

player Tim Green,
The Dark Side ofthe Game: My Life in

arduous shoot had

the NFL

and Stone had barricaded himself in
his Venice,
to

January 2000

meant

through it, I
know that playing in the NFL lives up
to the childhood dreams of an eightyear-old boy, secretly clutching the
golden figure of a Pop Warner champi¬
onship trophy under his bedcovers as
he drifls off to sleep. I also know that to
play in the NFL, one must endure or
succumb to pressures bent on compro¬
mising the soul in ways that would
-

34

"I didn't know what Oliver
by that remark until later in

memory.

finally wrapped

California, editing room

ready the film for its Christmas

Any Given Sunday marks the
The

Hand

that

the

ever-

esteemed Robert Richardson, ASC.

Stone's longtime

creative partner had
already committed to shooting
Martin Scorsese's Bringing Out the
Dead (AC Nov. 1999), forcing the
director to go scouting for new
behind-the-camera talent.
While

sifting through scores of

young cinematographers' showreels,
Stone took notice of Totino's striking

BWraoconsuefr.tesy
Phot s



American Cinematographer - January 2000

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