American Cinematographer - May 2000 - 3

t

Cranston In His Element
The sperm whale and her
calfare 20 yards offstar¬
board. Veteran undenvater

cinematographer Bob
Cranston drops a fresh

Howalrd

40-minute cassette into
his Sony HDW-700A, checks
the battery level, and seals

Phot :

the /rousing. In tire water, the camera's mic records
tire slap ofa fluke on the surface & the clicking of
the mot/rer to her offspring. The Fujinon 5.2-52mm
lets Cranston zoom in on a detail or gather
whole scene into a single wide shot.

the

"I've been shooting Super 16 and I MAX" underwater
for years," says Cranston, "You're paying for boats,
crew, divers and more. So the goal is to get as many

shooting hours a day as possible. With HD, I come away
with twice the usable footage as I could with Super 16.
And the final product is higher quality - approaching
images shot in 35mm."

Silent Running
The HDCAM

has changed the way Cranston
approaches sound recording. "In 16mm we'd often
return later to record, and getting good sound was
tough." Now the Sony runs silently so "I record while
shooting, and things like whale blows and surf crashing
sound

more

authentic."

Keep Rolling
"The long loads have been essential in capturing
unpredictable animal behavior. Wildlife doesn't act on
cue.

With HD

we can

let the

cameras

roll for the breach, and nailed it."

Much later, on the ride back to shore, Cranston
watches his dailies on a shipboard monitor. The

footage looks great. "Band Pro has been a huge
help in my transition to HD, " he says. "And soon
I'll be able to go in and view my footage projected
in their

That's the kind of support I

out, "so we're never

caught with the wrong
stock loaded

-

and

haven't had to risk

losing a subject
by surfacing for a lens or filter change."
Bob Cranston (right) with underwater HD pioneer Feo Pitcairn. Cranston's
work can be seen in Pitcairn Productions' upcoming series, Ocean Wilds
on PBS. Cranston is also credited with National Geographic s Emmy'

Award-winning Jewels of the Caribbean and IMAX* projects including
Island of the Sharks and Ocean Oasis.

WWW.MNBPRI.CO

just

-

camera

"The system has
five programs that

adjust for changing

was

shooting gray whales in Baja. I'd been down 4
years in a row and was never able to get a breaching
shot
its unpredictable. This time I just let the

Stay with the Action

conditions," he points

roll. I

down

new

HD Resource Center in Burbank.

need, "



American Cinematographer - May 2000

Table of Contents for the Digital Edition of American Cinematographer - May 2000

American Cinematographer - May 2000 - 1
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