American Cinematographer - May 2000 - 78

Must-See TV
a sequence in
Felicity wanders into the art
department at her school: "The idea
of her going into art appealed to me,
because you can't be a cinematogra¬
pher without having almost a rever¬

Primes describes

which

ence

Soon Photoflex will be the FIRST
name

need

you

think of when

you

soft box. Our initial

a

production

run was so

W
m

f

good them

for

art

-

we

call it 'the art of

cinematography' for good reason!
Felicity rediscovering the
magic of art was particularly touch¬
ing and important to me, and we
The idea of

make the art world

it sold out before it was finished^ft-
Don't miss the SECOND run which is^

decided

underway. It wifi make you a believer
Designed for the narrower beam J
angles of Fresnel lights
IV
Tougher
Higher heat resistance
m
Less expensive than the competition1
Hurry! Call for nearest dealer!
*

controlled, with pretty, classical tones.

*

*

*
*

to

more

magical. The show is always wellWe

normally don't use smoke, but we
art-department set. It had
big windows, and we put a 20K
outside them to create beams of light
did in the

in the smoke.

"As

*

*

m

yimww

PHOTOFLEX Products, Inc.
333 Encinal Street * Santa Cruz, CA 95060
800.486.2674 831.454.9600fax

www.photoflex.comwww.webphotoschool.com

Felicity wanders into the
[department], we do a nice tracking
shot as she passes by people painting
and working with colored glass. She's
almost totally silhouetted as she
passes by a succession of paintings in
the foreground, [illuminated by]
these little clip-on reflector lights, and
the 20K creating shafts of light
through the smoke made the ambi¬
ence very ethereal and pictorial. We
made this environment almost like

a

holy place. I thought those scenes
especially beautiful, perhaps the
most beautiful we shot all year."
Primes's Emmy for Felicity was
his second; he'd previously earned the

were

honor in 1995 for My Antonia

also

garnered

a

(which

Cable ACE Award

nomination), and was nominated in
1996 for Cry of the City. The cine¬
matographer was nominated for an
ASC Award in 1991 for the

pilot of

Reasonable Doubts, and his extensive
television credits also include the tele¬
films Sealed with a Kiss, Blood on Her
Hands, Scared by Love and Sandy
Bottom Orchestra, as well as the pilots

for All
Shores.

Together Now and Malibu
Primes's

include A Murder

feature

credits

of Crows, Bird on

Wire, The Hard Way, and

a

shared
credit with Russell Carpenter, ASC on
the hit

comedy Money Talks.
Christopher Probst
-

72

a

>►



American Cinematographer - May 2000

Table of Contents for the Digital Edition of American Cinematographer - May 2000

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