American Cinematographer - August 2000 - 109

...

ing to Palmer. "Most camera systems
fit onto these ships - Wescam,
SpaceCam, Tyler Mounts and so on.
For the opening sequence of Ace
Ventura, we used a Wescam, but
because this was way up in the
mountains, the helicopter we chose
Lama SA 315. The Lama is a

was a

high-altitude helicopter, and even
though the design is more than 20
years old, there's probably nothing
that

TEL 818.240.8607

WWW.COPTERWORKS.COM

touch it when you get up

can

around 10,000

feet.

"The Wescam
on

ami

mounted

was

the side, and I believe this was

probably one of the first four-gyro
systems used on a feature film. We
took it up 10,000 feet in the

Tens of thousands of Internet users have

Canadian Rockies, which is very
extreme terrain. A stuntman was

hanging off the side of a sheer wall,
and we had to pull the helicopter
into a very steady hover and zoom
in on his face. The image had to be
very solid, because Jim Carrey's face
was later morphed over the face of
the stuntman."
A Wescam

tional
was

on a more conven¬

helicopter,

a

the

rear as

flies past. Just as we

the aircraft

cleared the

cowboys, the train had to
around

a

bend and

we

was

worked

very

out

had to swoop

difficult timing, but it

well."

industry professionals

and serious students of film, as well as

C

movie-going fans. But it's only the
beginning. Future content will include

}

\

*

expanded multimedia journalism covering
all aspects

+

{

of filmmaking

and much much

i

-

more.

\

E

ASC Web Site

n ""i

The American

i.

of

Society

come

around it as the cowboys closed in on
it. It

Excellent content, vivid graphics,

see" for

Western

and horses tend to

1997.

updates have made the site a "must

a
£

Bell Jet Ranger,

comedy
Shanghai Noon, starring Jackie Chan.
"The opening sequence was a little
unusual," Palmer says. "It started out
in a very confined area, a cut-bank.
But the main problem was the
timing. We had to fly over terrain and
up to the top of a hill to get a tight
shot of four cowboys on horses -
recent

to the ASC site since its launch

well-trafficked forums and regular

used for a complicated train shot

on

in

come

■

Cinematographers

1782 North Orange Drive

Hollywood, CA 90028
In the United States:

(800) 448-0145
Outside the United States:

(323) 969-4333

*

fa* (323) 876-4973
107



American Cinematographer - August 2000

Table of Contents for the Digital Edition of American Cinematographer - August 2000

American Cinematographer - August 2000 - 1
American Cinematographer - August 2000 - 2
American Cinematographer - August 2000 - 3
American Cinematographer - August 2000 - 4
American Cinematographer - August 2000 - 5
American Cinematographer - August 2000 - 6
American Cinematographer - August 2000 - 7
American Cinematographer - August 2000 - 8
American Cinematographer - August 2000 - 9
American Cinematographer - August 2000 - 10
American Cinematographer - August 2000 - 11
American Cinematographer - August 2000 - 12
American Cinematographer - August 2000 - 13
American Cinematographer - August 2000 - 14
American Cinematographer - August 2000 - 15
American Cinematographer - August 2000 - 16
American Cinematographer - August 2000 - 17
American Cinematographer - August 2000 - 18
American Cinematographer - August 2000 - 19
American Cinematographer - August 2000 - 20
American Cinematographer - August 2000 - 21
American Cinematographer - August 2000 - 22
American Cinematographer - August 2000 - 23
American Cinematographer - August 2000 - 24
American Cinematographer - August 2000 - 25
American Cinematographer - August 2000 - 26
American Cinematographer - August 2000 - 27
American Cinematographer - August 2000 - 28
American Cinematographer - August 2000 - 29
American Cinematographer - August 2000 - 30
American Cinematographer - August 2000 - 31
American Cinematographer - August 2000 - 32
American Cinematographer - August 2000 - 33
American Cinematographer - August 2000 - 34
American Cinematographer - August 2000 - 35
American Cinematographer - August 2000 - 36
American Cinematographer - August 2000 - 37
American Cinematographer - August 2000 - 38
American Cinematographer - August 2000 - 39
American Cinematographer - August 2000 - 40
American Cinematographer - August 2000 - 41
American Cinematographer - August 2000 - 42
American Cinematographer - August 2000 - 43
American Cinematographer - August 2000 - 44
American Cinematographer - August 2000 - 45
American Cinematographer - August 2000 - 46
American Cinematographer - August 2000 - 47
American Cinematographer - August 2000 - 48
American Cinematographer - August 2000 - 49
American Cinematographer - August 2000 - 50
American Cinematographer - August 2000 - 51
American Cinematographer - August 2000 - 52
American Cinematographer - August 2000 - 53
American Cinematographer - August 2000 - 54
American Cinematographer - August 2000 - 55
American Cinematographer - August 2000 - 56
American Cinematographer - August 2000 - 57
American Cinematographer - August 2000 - 58
American Cinematographer - August 2000 - 59
American Cinematographer - August 2000 - 60
American Cinematographer - August 2000 - 61
American Cinematographer - August 2000 - 62
American Cinematographer - August 2000 - 63
American Cinematographer - August 2000 - 64
American Cinematographer - August 2000 - 65
American Cinematographer - August 2000 - 66
American Cinematographer - August 2000 - 67
American Cinematographer - August 2000 - 68
American Cinematographer - August 2000 - 69
American Cinematographer - August 2000 - 70
American Cinematographer - August 2000 - 71
American Cinematographer - August 2000 - 72
American Cinematographer - August 2000 - 73
American Cinematographer - August 2000 - 74
American Cinematographer - August 2000 - 75
American Cinematographer - August 2000 - 76
American Cinematographer - August 2000 - 77
American Cinematographer - August 2000 - 78
American Cinematographer - August 2000 - 79
American Cinematographer - August 2000 - 80
American Cinematographer - August 2000 - 81
American Cinematographer - August 2000 - 82
American Cinematographer - August 2000 - 83
American Cinematographer - August 2000 - 84
American Cinematographer - August 2000 - 85
American Cinematographer - August 2000 - 86
American Cinematographer - August 2000 - 87
American Cinematographer - August 2000 - 88
American Cinematographer - August 2000 - 89
American Cinematographer - August 2000 - 90
American Cinematographer - August 2000 - 91
American Cinematographer - August 2000 - 92
American Cinematographer - August 2000 - 93
American Cinematographer - August 2000 - 94
American Cinematographer - August 2000 - 95
American Cinematographer - August 2000 - 96
American Cinematographer - August 2000 - 97
American Cinematographer - August 2000 - 98
American Cinematographer - August 2000 - 99
American Cinematographer - August 2000 - 100
American Cinematographer - August 2000 - 101
American Cinematographer - August 2000 - 102
American Cinematographer - August 2000 - 103
American Cinematographer - August 2000 - 104
American Cinematographer - August 2000 - 105
American Cinematographer - August 2000 - 106
American Cinematographer - August 2000 - 107
American Cinematographer - August 2000 - 108
American Cinematographer - August 2000 - 109
American Cinematographer - August 2000 - 110
American Cinematographer - August 2000 - 111
American Cinematographer - August 2000 - 112
American Cinematographer - August 2000 - 113
American Cinematographer - August 2000 - 114
American Cinematographer - August 2000 - 115
American Cinematographer - August 2000 - 116
American Cinematographer - August 2000 - 117
American Cinematographer - August 2000 - 118
American Cinematographer - August 2000 - 119
American Cinematographer - August 2000 - 120
American Cinematographer - August 2000 - 121
American Cinematographer - August 2000 - 122
American Cinematographer - August 2000 - 123
American Cinematographer - August 2000 - 124
American Cinematographer - August 2000 - 125
American Cinematographer - August 2000 - 126
American Cinematographer - August 2000 - 127
American Cinematographer - August 2000 - 128
American Cinematographer - August 2000 - 129
American Cinematographer - August 2000 - 130
American Cinematographer - August 2000 - 131
American Cinematographer - August 2000 - 132
American Cinematographer - August 2000 - 133
American Cinematographer - August 2000 - 134
American Cinematographer - August 2000 - 135
American Cinematographer - August 2000 - 136
American Cinematographer - August 2000 - 137
American Cinematographer - August 2000 - 138
American Cinematographer - August 2000 - 139
American Cinematographer - August 2000 - 140
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com