American Cinematographer - September 2000 - 100

"VIVE LA DIFFERENCE"
Steenbeck Film

New

or

Editing Tables
Film Format available for Sale or Rent
Large & Bright Screen for a Sharp Picture

Used

With

a

SALES

*

on

any

RENTALS

*

SERVICE & PARTS

Crimes

Against Humanity

"It's kind of

convention: TV is in

a

color," he laments. "There is no
discussion." However, a small
of black-and-white footage
incorporated into the movie.
The cinematographer chose
Fuji film for Nuremberg. "Fuji tends
amount

was

In

Europe Contact:

Steenbeck, Inc. Tel. 49-40-201626 Fax 49-40-202863 Hamburg, Germany
e-mail: Steenbecklnc@t-online.de

to

In the USA:

Steenbeck, Inc. Tel. 818-998-4033 Fax 818-998-6992 Chatsworth, California
e-mail: steenbeck@compuserve.com

have

an

old-fashioned look,

of beige-yellowish
went

a

kind

tint, that I thought

well with what

we were

film¬

ing," he says. "I am very happy with
the result." The courtroom scenes
and all

night sequences were shot on
Fuji Super F-500 8571. Fuji Super F250 8551

the choice for most of

was

the other interiors,
F-125 8532

and

SELL! YOUR
ITS AIM
S A FULL-TIME JO

a

was

while Fuji Super

used for day exteriors

few interiors.
The

picture

Zeiss introduced its

Primes,

so

was

shot before

new

line of Ultra

Dostie used the old, stan¬

dard

speed lenses. "Although they are
fantastic on definition, they tend to
have a hard edge, so whenever I use
them I

UC

use

[Ultra Contrast]

filters

by Tiffen," he notes. "I consider
that filter to be part of the lens. It's
not diffusion; it's what they call low
contrast, so the blacks stay black and
there is no glow around the
eyelights."
Knowing that Simoneau likes
to use wide-angle lenses, Dostie
tended to keep a 14mm or 18mm on
the A-camera, a Moviecam SL. The

B-camera, another SL, sported a new
Angenieux HR 25-250mm zoom.
Given its subject matter and
setting, Nuremberg is an unusually
"talky" film, with long stretches -
sometimes comprising four or five
script pages - of continuous
dialogue and practically no action.
Simoneau wanted to do

a

lot of

in order to give editor Yves
Langlois as many choices as possible.
"There are many static shots," Dostie

coverage

concedes. "We

were

■■■

when

we came out

into corridors
we

tried

to

or

walk

as

afraid of that,

of the

so

courtroom

going into offices
much

as

possible.

We did lots of Steadicam. Francois

Daignault, who operated the Bcamera,

is

a

Steadicam operator.



American Cinematographer - September 2000

Table of Contents for the Digital Edition of American Cinematographer - September 2000

American Cinematographer - September 2000 - 1
American Cinematographer - September 2000 - 2
American Cinematographer - September 2000 - 3
American Cinematographer - September 2000 - 4
American Cinematographer - September 2000 - 5
American Cinematographer - September 2000 - 6
American Cinematographer - September 2000 - 7
American Cinematographer - September 2000 - 8
American Cinematographer - September 2000 - 9
American Cinematographer - September 2000 - 10
American Cinematographer - September 2000 - 11
American Cinematographer - September 2000 - 12
American Cinematographer - September 2000 - 13
American Cinematographer - September 2000 - 14
American Cinematographer - September 2000 - 15
American Cinematographer - September 2000 - 16
American Cinematographer - September 2000 - 17
American Cinematographer - September 2000 - 18
American Cinematographer - September 2000 - 19
American Cinematographer - September 2000 - 20
American Cinematographer - September 2000 - 21
American Cinematographer - September 2000 - 22
American Cinematographer - September 2000 - 23
American Cinematographer - September 2000 - 24
American Cinematographer - September 2000 - 25
American Cinematographer - September 2000 - 26
American Cinematographer - September 2000 - 27
American Cinematographer - September 2000 - 28
American Cinematographer - September 2000 - 29
American Cinematographer - September 2000 - 30
American Cinematographer - September 2000 - 31
American Cinematographer - September 2000 - 32
American Cinematographer - September 2000 - 33
American Cinematographer - September 2000 - 34
American Cinematographer - September 2000 - 35
American Cinematographer - September 2000 - 36
American Cinematographer - September 2000 - 37
American Cinematographer - September 2000 - 38
American Cinematographer - September 2000 - 39
American Cinematographer - September 2000 - 40
American Cinematographer - September 2000 - 41
American Cinematographer - September 2000 - 42
American Cinematographer - September 2000 - 43
American Cinematographer - September 2000 - 44
American Cinematographer - September 2000 - 45
American Cinematographer - September 2000 - 46
American Cinematographer - September 2000 - 47
American Cinematographer - September 2000 - 48
American Cinematographer - September 2000 - 49
American Cinematographer - September 2000 - 50
American Cinematographer - September 2000 - 51
American Cinematographer - September 2000 - 52
American Cinematographer - September 2000 - 53
American Cinematographer - September 2000 - 54
American Cinematographer - September 2000 - 55
American Cinematographer - September 2000 - 56
American Cinematographer - September 2000 - 57
American Cinematographer - September 2000 - 58
American Cinematographer - September 2000 - 59
American Cinematographer - September 2000 - 60
American Cinematographer - September 2000 - 61
American Cinematographer - September 2000 - 62
American Cinematographer - September 2000 - 63
American Cinematographer - September 2000 - 64
American Cinematographer - September 2000 - 65
American Cinematographer - September 2000 - 66
American Cinematographer - September 2000 - 67
American Cinematographer - September 2000 - 68
American Cinematographer - September 2000 - 69
American Cinematographer - September 2000 - 70
American Cinematographer - September 2000 - 71
American Cinematographer - September 2000 - 72
American Cinematographer - September 2000 - 73
American Cinematographer - September 2000 - 74
American Cinematographer - September 2000 - 75
American Cinematographer - September 2000 - 76
American Cinematographer - September 2000 - 77
American Cinematographer - September 2000 - 78
American Cinematographer - September 2000 - 79
American Cinematographer - September 2000 - 80
American Cinematographer - September 2000 - 81
American Cinematographer - September 2000 - 82
American Cinematographer - September 2000 - 83
American Cinematographer - September 2000 - 84
American Cinematographer - September 2000 - 85
American Cinematographer - September 2000 - 86
American Cinematographer - September 2000 - 87
American Cinematographer - September 2000 - 88
American Cinematographer - September 2000 - 89
American Cinematographer - September 2000 - 90
American Cinematographer - September 2000 - 91
American Cinematographer - September 2000 - 92
American Cinematographer - September 2000 - 93
American Cinematographer - September 2000 - 94
American Cinematographer - September 2000 - 95
American Cinematographer - September 2000 - 96
American Cinematographer - September 2000 - 97
American Cinematographer - September 2000 - 98
American Cinematographer - September 2000 - 99
American Cinematographer - September 2000 - 100
American Cinematographer - September 2000 - 101
American Cinematographer - September 2000 - 102
American Cinematographer - September 2000 - 103
American Cinematographer - September 2000 - 104
American Cinematographer - September 2000 - 105
American Cinematographer - September 2000 - 106
American Cinematographer - September 2000 - 107
American Cinematographer - September 2000 - 108
American Cinematographer - September 2000 - 109
American Cinematographer - September 2000 - 110
American Cinematographer - September 2000 - 111
American Cinematographer - September 2000 - 112
American Cinematographer - September 2000 - 113
American Cinematographer - September 2000 - 114
American Cinematographer - September 2000 - 115
American Cinematographer - September 2000 - 116
American Cinematographer - September 2000 - 117
American Cinematographer - September 2000 - 118
American Cinematographer - September 2000 - 119
American Cinematographer - September 2000 - 120
American Cinematographer - September 2000 - 121
American Cinematographer - September 2000 - 122
American Cinematographer - September 2000 - 123
American Cinematographer - September 2000 - 124
American Cinematographer - September 2000 - 125
American Cinematographer - September 2000 - 126
American Cinematographer - September 2000 - 127
American Cinematographer - September 2000 - 128
American Cinematographer - September 2000 - 129
American Cinematographer - September 2000 - 130
American Cinematographer - September 2000 - 131
American Cinematographer - September 2000 - 132
American Cinematographer - September 2000 - 133
American Cinematographer - September 2000 - 134
American Cinematographer - September 2000 - 135
American Cinematographer - September 2000 - 136
American Cinematographer - September 2000 - 137
American Cinematographer - September 2000 - 138
American Cinematographer - September 2000 - 139
American Cinematographer - September 2000 - 140
American Cinematographer - September 2000 - 141
American Cinematographer - September 2000 - 142
American Cinematographer - September 2000 - 143
American Cinematographer - September 2000 - 144
American Cinematographer - September 2000 - 145
American Cinematographer - September 2000 - 146
American Cinematographer - September 2000 - 147
American Cinematographer - September 2000 - 148
American Cinematographer - September 2000 - 149
American Cinematographer - September 2000 - 150
American Cinematographer - September 2000 - 151
American Cinematographer - September 2000 - 152
American Cinematographer - September 2000 - 153
American Cinematographer - September 2000 - 154
American Cinematographer - September 2000 - 155
American Cinematographer - September 2000 - 156
American Cinematographer - September 2000 - 157
American Cinematographer - September 2000 - 158
American Cinematographer - September 2000 - 159
American Cinematographer - September 2000 - 160
American Cinematographer - September 2000 - 161
American Cinematographer - September 2000 - 162
American Cinematographer - September 2000 - 163
American Cinematographer - September 2000 - 164
American Cinematographer - September 2000 - 165
American Cinematographer - September 2000 - 166
American Cinematographer - September 2000 - 167
American Cinematographer - September 2000 - 168
American Cinematographer - September 2000 - 169
American Cinematographer - September 2000 - 170
American Cinematographer - September 2000 - 171
American Cinematographer - September 2000 - 172
American Cinematographer - September 2000 - 173
American Cinematographer - September 2000 - 174
American Cinematographer - September 2000 - 175
American Cinematographer - September 2000 - 176
American Cinematographer - September 2000 - 177
American Cinematographer - September 2000 - 178
American Cinematographer - September 2000 - 179
American Cinematographer - September 2000 - 180
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com