American Cinematographer - September 2000 - 104
Crimes Against
Humanity
This page: The
camera follows
Jackson and
Douglas
they
as
head to work.
"There are many
static shots [in
the film], so
when we came
out of the
courtroom into
corridors we
tried to walk as
much as
as a
milk
enormous
fixtures
through the windows and a bit of fill
light. Occasionally he added Vs, Va or
V2 CTS to warm up the light at the
end of the day.
Two
Alain Dostie.
scenes were
shot
on
the
recently shuttered
department store that was
transformed into a stately restaurant,
whose interior was copied from an
opulent, turn-of-the-century ocean
liner. The ceiling was 60' high, and
top floor of a
Opposite page:
Montreal
Simoneau,
center, watches
as actors Frank
Burns, left, and
Herbert
Khaup
through a
scene.
-
for all locations:
possible," recalls
cinematographer
run
such
factory, a 200year-old mansion since converted
into a fancy club, and the real peniĀ¬
tentiary - had enormous windows,
they required almost no additional
lighting. Dostie's recipe was the same
sites
recently abandoned factory outside
Montreal that had been demolished,
but the debris hadn't been cleaned
up.
We simply moved the piles of
rubble around with
then built
sets on
a
bulldozer and
top of that. I am
particularly pleased with those
Dostie floated two helium balloon
sequences."
All of the
practical
locations except the courtroom and
two jail cells, and the latter were
constructed because the real prison
cells proved too small to facilitate
camera moves.
sets
lights that filled the whole place with
soft light. The only additional illumiĀ¬
nation came from a few round globes
that were part of the department
store's decor and small, practical
lamps that were placed on each
were
Because most of these
ffour
tash is to
recognize
the
moment
then
adapt
to it
before
it
slips azvau.
heady?
Qo.
Film and Video
102
Speed Rings
CHIMERA
Boulder, Colorado
*
www.chimeralighting.com
* 888-444-1812
American Cinematographer - September 2000
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