American Cinematographer - September 2000 - 116
Larger Than Life
In near right
photo, from left,
pairs." He adds that so much
was used for lighting this
sequence that it was difficult to keep
20Ks in
rigging
director of
photography
Reed Smoot,
ASC; director
Keith Melton;
3-D
it out of the shot.
Smoot recalls,
film
stop [achieving a higher
stop] to increase depth of field, rating
it at 1000 ASA and using an LLD
filter for partial color correction. We
also mixed daylight sources with
tungsten sources to create a pleasing,
Supervisor
Anderson,
ASC; 1st AC
Peter
Doug Lavender,
and 2nd AC
Russel Bowie
pose with the
Iwerks 8-Perf
and Imax Solido
cameras
camera
surreal effect colorwise. There
during
threads the Imax
Solido camera.
was a
slight contrast increase due to the
push in the lab, producing a little
tests at
Cirque du Soleil
headquarters. At
far right, Bowie
"We pushed the
one
were
15 to 25 feet below the surface
of the
were
to
water.
able
to
Park in Boulder Creek, California,
With the fill
and the
lights, we
light underwater at f5.6
view
f8."
as
Bungee jumpers' points of
they flew down and up was
achieved with the
The forest sequence
in which
the
child, accompanied by the
Flounes, encounters the Bungees
features
some
of the
most
dramatic
ofif-the-screen effects in
Journey of
filmed in the
giant redwoods of Big Basin State
Man. The segment was
use
of
a camera
platform and a construction crane.
"There was really no light in
the forest," says Campbell, "so we
used rim lighting for everything. The
rigging was huge. We used HMIs and
tungsten sources. With the rim lights,
I was able to light at f8 to fl 1 using
A compact aluminum framework
attaches directly to the sides of the
body making one rigid piece.
By triangulating to these pickup
points, a lightweight yet totally rigid
structure, not unlike a geodesic
camera
dome, is created in minutes.
jKe *
nts
ount
*
virtually anywhere
/
W
909 S. Victory Boulevard
Burbank CA 91502
114
818.845.8470
818.845.8477 fax
www.doggicam.com
doggicam
systems
An integrated camera system
offering versatile solutions to
your creative demands.
American Cinematographer - September 2000
Table of Contents for the Digital Edition of American Cinematographer - September 2000
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