American Cinematographer - September 2000 - 138

Upping the Ante Down Under

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Weighs 1-1/2 lbs, 1 cubic foot in size.
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Personnel at Fox Studios-Sydney take a break
of The Matrix. One of the producers said the

in one of the soundstages during filming
project would probably have been
"parked" if shooting at the studio had not been so cost-effective.
As well

industries.

Furthermore,

*

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of lead¬
ing film and TV producers has called
for a tax on international produc¬
tions filming in Australia in an
attempt to relieve the financial hard¬
ships suffered by local producers.
The 19 independent producers,
including Jane Scott (Shine, Head
On), Tristram Miall
(Strictly
a

group

Ballroom), Pat Lovell (Picnic

at

Hanging Rock, Gallipoli), Bill Bennett
(Kiss or Kill) and Daniel Scharf
(Romper Stomper), maintain that the
tax is one solution to the increasing
difficulties of staying afloat in the
production industry.

as

federal government

assistance to the film

industry, state
also encourage local
production and a local film culture
through state film agencies. While
governments

most

of these financial incentives

are

available
some

only to Australian projects,
organizations, such as the

Queensland-based Pacific Film &
Television Commission, make funds
available
whose

to foreign filmmakers
projects meet certain criteria.

PFTC's incentives include rebates

on

payroll tax and cast/crew salaries, free
fire and police services and trafficsafety control.
In New South

Wales, the Film



American Cinematographer - September 2000

Table of Contents for the Digital Edition of American Cinematographer - September 2000

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