American Cinematographer - September 2000 - 174

AAS 167
AC 34,38,93,98,113, 116,122,

123,136,137,140, 144,146,
147, 149,154, 155,158, 162,
163, 164,169,170,171,
172,175

Greg Hensley Productions 171

Cinematography Electronics 157
Cinequipt 16

HagaDe 171
HB Group 156
Hollywood Film Institute 167

Cineric 59
Clairmont Hollywood 10-11

Clamp Flag 169
Columbia College 156

Backstage Equipment 160

Creative Industry Handbook 110
Creative Planet 101
Crest National 4

Int'l Film & TV 142
Isaia & Co. 20
Islands Film and Video
Association 169

Coptervision 116

Birns &

Denecke 148

Sawyer 50, 53,103
Bogen Photo 25

Ste-Man/Horizon 150
Steenbeck 98
Strada Unlimited 124

Super 8 Sound 148
The Command Post Toy
Three Mills Studio 125
Tiffen Optical 2-3, C-4
Transvideo 68
Trovato Mfg. 8

Otto Nemenz Inti. 17

Optex 24,122

DN Labs 171

Bolex International 33
Boxx Technologies 51
British Columbia
Film Commission 129
Burrel Enterprise 168

Sony Electronics 26-27
Spacecam 47
ST Productions 169
Stanton Video Services 146
Ste-Man 110

NCS Products 170
New York Film Academy 99
Norris 150

JBK Cinequipt 169
J. L. Fisher 8

Benjamin Centoducati 169

Slow Motion 159
SMS Productions 167

Matthews Studio 14
Miller Fluid Heads 139
Mole-Richardson 71
Movie Tech 100
Musco Mobile 18

Hydroflex 115

Cool-Lux 157
Cooke 72

School 111

MacGillivray Freeman 167
Mamiya America C-3

Hot Gear 159

Abel Cine Tech 19
Aerocrane USA 6
Alaska 35
Arriflex 7

Band Pro Film/Video 69
BeachTek Int'l 170

Los Angeles Film
Lowel Light 21

Glidecam Industries 72

Cinekinetic 96
Cinema Engineering 167

DTC 171
Du All Camera 170
DuArt Film and Video 63

K&H Products 22, 169
K5600 31
Kino Flo 37
Kish Optics 112
Koerner Camera Systems 159

Eastman Kodak C-2-1,13, 91

Kupo Co. 12

Doggicam 114

P.E.D. Denz 23
P+STechnik 9
Pace Technologies 58
Panavision Corporate 40-41
Panther GmbH 49, 57,

UCLA Extension 145

Vancouver Film School 160
Varizoom Lenses 168

VFG/PLC 67, 130, 138

65,169,171

Camera Control 39
Camera Essentials 156

Labofilms 167

Phillipines, Shooting in 169

LDI 117
Lee Lighting 121
Lee Utterbach 24
LEMAC 112

POV/MAT 55

Film

Emporium 170
Film/Video Equipment

Cameraquip 138
Camware 167
Camwerke 169
Canon Broadcast 15
Cases4less.com 170
Cavision 170
CEI Technology 153

Services 52

Filmlndustry.com 168
Filmlt 131
Fish Films 171
FMU20
Four Designs

Century Precision 52

167

Chambless Productions 32

Group 29
George Paddock 107

Chimera 102
CineAsst 10

Weatherstock 169
Westcott 130
WhitehouseAV 168
Wide Screen Software 169

Renta Imagen 132,160
RGB Color Lab 167

Willy's Widgets 171

Rip-Tie Co. 169
Yale Film and Video 96
Sachtler 141
Schneider Optics C-4
Scott Losmandy 148
SLCine 169

London Int'l Film 150

Geo Film

Chapman/Leonard 109

Videosmith 171
Visual Products 169

Production Helicopters 70
PS Production Services 50

Lentequip 167
Light Wave Systems 142
Lighthouse Internet 167
Lightline Electronics 16
Lighttools 36

Flying-Cam 31

ZGC.Inc. 24, 72, 122

GRAPM

MASTER CLASS SERIES VIDEOS

This unique series, sponsored by the Kodak Worldwide Student
Program, has great value to both students and working

cinematographers.Nine of the world's finest directors of photography

share t heir experience in a workshop sett ing, as they

guide you

through a series of professional lighting problems both in the studio
and on location. Computer animation is used to vividly illustrate the
approaches used to solving them.

Lighting Dances With Wolves With Dean Semler, ASC, ACS

Program includes Semler discussing and demonstrating:
Widescreen composition.

Shooting for Realism With Allen Daviau, ASC & Sacha Vierny
Program highlights:
Daviau and Vierny were each given the same script and set to vvork with,
*

and

they share their individual approaches to the problem.

Computer graphics of the lighting setups as well, as side-by-side
comparisons of the finished scenes, illustrate their approaches.
*

F802

55 min.

Producer: AFTRS

*

*

*

The relationship between lighting design and coverage.
The best use of high-speed film stocks in low-light situations.
29 min.
Producer: AFTRS

Shooting for Drama With Robby Muller, NSC, BVK &
ASC. ACS, CSC

Peter James,

F785

Program highlights:

Lighting Dead Poets Society With John Seale, ASC, ACS
Seale guides the students and our camera through the lighting setups

Each cinematographer was given the same script and set constraints.
The results were beautiful images that reflect their different backgrounds
and philosophies on the art and business of filmmaking.
The video culminates with a split-screen comparison of each
*

*

used for scenes set in summer, winter, night and day.
divulges tricks and techniques that he uses to achieve
extremely difficult effects while maximizing the number of takes each
day.
he
*

He also

28 min.

F786

Producer: AFTRS

Studio Lighting: A Comparative Workshop With
Donald McAlpme, ASC, ACS & Denis Lenoir, AFC
Topics include:
Studio practice

*

cinematographers finished piece.
F803

55 min.

Producer: AFTRS

Shooting for Fantasy With Sacha Vierny Sr Denis Lenoir

Program highlights:

Lenoir demonstrates hovv to use one special effect to hide
Learn how to combine several effects to create magie.
F80-4
55 min.
Producer: AFTRS

*

another.

*

*

*

*

*

*

Lighting design

Location

59 min.

*

*

Producer: AFTRS

Lighting With Geoff Burton

Topics include:
use

How fast stocks and fast work can be critical to success.
F788
29 min.
Producer: AFTRS
*

172

All videos

of natural

lighting resources.
Working with limited space on location.
Maximum

As well as being a storehouse of practical information, this program is an
ode to the haunting beauty of black-and-white cinematography and a
wonderful essav on the changing art of the cinematographer from the 1920s
to the present clay.
F805
55 min.
Producer: AFTRS
*

Lighting metering
Use of pract ical lamps

F787

Shooting for Black-and-white With Allen Daviau Sr Denis Lcnoir

Program highlights:

Color temperature

Box 133

www. c

inematogr aphe r. c om

(800) 448-0145

VHS/NTSC
American Cinematographer - September 2000

Table of Contents for the Digital Edition of American Cinematographer - September 2000
