American Cinematographer - September 2000 - 96

Cinematographer Alain Dostie helps spotlight one of
the 20th century's most riveting court trials in the
TNT telefilm Nuremberg.
by Jean Oppenheimer

between the worlds of televi¬

Alain Dostie moves easily

Unit

sion and feature film. A

respected

highly
cinematographer

whose work is well-known in

94

photography by Jan Thijs

Canada, the Quebec native cata¬

years earlier, he'd
taken home his first Genie for Thirty-

pulted to international prominence

Two Short Films About Glenn Gould.

with The Red Violin

which earned him both the Genie

Dostie decided at age
he wanted to make movies

Award and the Jutra

(Canada's and
Quebec's equivalents of the Oscars,

natural

respectively) for best cinematogra-

he

September 2000

(see AC Feb. '99),

phy in 1999. Six

interest
was

14 that
-

the

outgrowth of a childhood
in photography. By the time
18, he and several friends had

taught themselves the basics of
16mm filmmaking. "I was the only
one who owned a light meter, so I
became the cameraman," he laughs,
speaking by phone from his home
outside Montreal. After studying at
the prestigious National Film Board
of Canada, he began shooting docu¬
mentaries, then shifted
His credits include

to features.

Images de Chine,
The Gunrunner,
Perfectly Normal, Le Party, CArche de

Les Annees de Reves,

ITnocNcufrt.e,sy
Phot s



American Cinematographer - September 2000

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