American Cinematographer - November 2000 - 39

and educational events will be held at

various restaurants, historic art and

performance studios, and other locations.
Filmmakers are encouraged to
submit their works by December 1,2000.
Late submissions will be accepted until
January 3,2001.
For

more

information, contact the

Durango Film Festival at (970) 385-8686
visit the Web site: www.durangofilm-

Illinois and

England, and CFI, based in
Hollywood, worked together to develop
the high-speed cleaning machine to
provide safe and effective film cleaning
using 3M Novec Engineered Fluid HFE8200. The fluid has zero ozone-depletion
potential, is not a VOC, and achieves
results comparable to perchloroethylene
when used in the CF-8200.

or

Film Preservation

festival.com.

Fellowship
The Association of

Celluloid Cleanliness

Moving Image

Academy of Television Arts &
Sciences presented its Engineering
Award to Lipsner-Smith and Consolidated
Film Industries for their joint development

Archivists (AMIA) and Kodak have
announced an annual fellowship program

of the

by Kodak, is valued at $10,000 and
an academic scholarship, a sixweek summer internship at Cinesite (as
well as other restoration and preservation
facilities in Hollywood), and registration

The

new

Model CF-8200 Ultrasonic

Film-Cleaning Machine. The award is
recognition for achievements that exhibit
a high level of engineering and are impor¬
tant to the progress of the industry.
In anticipation of new regulations
governing the use of perchloroethylene
for film cleaning, Lipsner-Smith, based in

for students interested in film preserva¬
tion and archiving. The fellowship, spon¬

will also pay an hourly wage. Kodak will
work with the winner throughout the year
and assist his

her learning institution
research, educational
on-campus speakers, litera¬
or

by providing
resources,
ture and

technical information.

Selection will be based upon

the
applicants commitment to pursuing a
career in moving-image archiving, acade¬
mic records and the strength of the
program of study as it applies to moving
image archiving. Students from all coun¬
tries are eligible; they must be at least 21
years old and either be accepted or
enrolled in a graduate-level or other
advanced program in moving-image stud¬
ies, including filmmaking, film library,

sored

archival administration, museum studies,

includes

ora

for the annual AMIA conference.
The

summer

internship will incor¬

related

discipline.

can be obtained by
contacting the AMIA office at (310) 5501300, fax (310) 550-1363, e-mail; amia
@amianet.org, Web site: www.amia
net.org.
■

More details

porate transportation and housing and

Super Wide
Angle Eyepiece
VCSC

digit,

O

VCDS Video Control Door
for

VCD Pivoting Video
Control Door
with 3-way viewfinder
video light path

Variable Shutter 15-180

Steadycam(light-weight)

VCDA

Pivoting Video

Control Door
with anamorphic de-squeezing
with 3-way viewfinder video light path

Otto-Hahn-Str. 12-14
D-85521 Ottobrunn (Munich)
Phone
+49 89 - 6298660
FAX
+49 89 - 62986620

E-Mail

info@ denz-deniz.com

http://www.denz-deniz.com

PRAZISIONS-ENTWICKLUNG DENZ

37



American Cinematographer - November 2000

Table of Contents for the Digital Edition of American Cinematographer - November 2000

American Cinematographer - November 2000 - 1
American Cinematographer - November 2000 - 2
American Cinematographer - November 2000 - 3
American Cinematographer - November 2000 - 4
American Cinematographer - November 2000 - 5
American Cinematographer - November 2000 - 6
American Cinematographer - November 2000 - 7
American Cinematographer - November 2000 - 8
American Cinematographer - November 2000 - 9
American Cinematographer - November 2000 - 10
American Cinematographer - November 2000 - 11
American Cinematographer - November 2000 - 12
American Cinematographer - November 2000 - 13
American Cinematographer - November 2000 - 14
American Cinematographer - November 2000 - 15
American Cinematographer - November 2000 - 16
American Cinematographer - November 2000 - 17
American Cinematographer - November 2000 - 18
American Cinematographer - November 2000 - 19
American Cinematographer - November 2000 - 20
American Cinematographer - November 2000 - 21
American Cinematographer - November 2000 - 22
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American Cinematographer - November 2000 - 24
American Cinematographer - November 2000 - 25
American Cinematographer - November 2000 - 26
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American Cinematographer - November 2000 - 28
American Cinematographer - November 2000 - 29
American Cinematographer - November 2000 - 30
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American Cinematographer - November 2000 - 37
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American Cinematographer - November 2000 - 43
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American Cinematographer - November 2000 - 49
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American Cinematographer - November 2000 - 53
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American Cinematographer - November 2000 - 56
American Cinematographer - November 2000 - 57
American Cinematographer - November 2000 - 58
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American Cinematographer - November 2000 - 60
American Cinematographer - November 2000 - 61
American Cinematographer - November 2000 - 62
American Cinematographer - November 2000 - 63
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American Cinematographer - November 2000 - 69
American Cinematographer - November 2000 - 70
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American Cinematographer - November 2000 - 72
American Cinematographer - November 2000 - 73
American Cinematographer - November 2000 - 74
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American Cinematographer - November 2000 - 77
American Cinematographer - November 2000 - 78
American Cinematographer - November 2000 - 79
American Cinematographer - November 2000 - 80
American Cinematographer - November 2000 - 81
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American Cinematographer - November 2000 - 90
American Cinematographer - November 2000 - 91
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