American Cinematographer - December 2000 - 25

r

That's a take.
IMPROVE YOUR FILMMAKING SKILLS.
TAKE ONE OF THE FOLLOWING COURSES THIS
WINTER AT UCLA EXTENSION:
NEW

for Custom Film Effects, Austin Powers:
Spy Who Shagged Me; and Juniko Moody, digi¬
tal artist/compositor for such companies as Disney
and Sony Pictures Imageworks
cameraman

The Role of the Director of Photography (DP) in
Filmed Entertainment, Misha Suslove, director of

photography whose credits include over 20 feature
films and movies-for-television, including Tredici,
Public Enemy #1, Sacred Cargo, Black Moon Rising, and
Strangers Kiss
The Director/Cinematographer Team: A

Dynamic
Collaboration, Deland Nuse, cinematographer in
theatrical features, short films, and documentaries;
and Patricia Cardoso,

writer/director, whose

directing credits include the Academy Award-winning
student film The Water Carrier; winner of the Ida

Lupino Award from the DGA
Using Filters Creatively in Cinematography,
JACK BONURA,Vice President, Motion Picture and
Television Division, The Tiffen Company

The

The Visual Language of Cinema: Practical Tools for
the Filmmaker, Bruce Block, producer/director;
consultant to feature film directors, animation studios,
commercial

producers, and multimedia companies,

whose credits include Stuart Little and As Good

as

It Gets

Aesthetic Choices:

Understanding Motion Picture
Editing, Michael N. Knue, ACE, feature film editor
whose credits include Spawn, The Tie that Binds, and
Rocky V
Making and Marketing the Short Rim: A Step-by-Step
Guide, Kim Adelman, who has produced 19 short
films that have been shown in over 150 film festivals,

including Sundance

NEW

Advanced Technology for the First Assistant

Cameraperson, Eric Erb, Manager, Technical
Services, Panavision Hollywood
The Camera Operator in Film and Television:
A Comprehensive Workshop, Rick Robinson, SOC,
U.S. Marine Corps combat cameraman and
Emmy Award-winning camera operator

A WEEKEND SEMINAR

Digital Video Tools and Techniques: Lecture/
Demonstration in DV Fundamentals, Joseph Karr
O'Connor, Director, Los Angeles Digital Media
Center, Pasadena City College

veteran

Cinematography II: Visualization and Exposure,
Deland Nuse, cinematographer and director whose
credits include the independent feature The Chilling
Gateway to Digital Entertainment, Mark Sawicki,
Visual Effects Supervisor for Area 51, optical

Call

now

Winter

For

Quarter begins January 6.

more

information call

(310) 825-9064.
(800) 825-9064.

Outside Southern California call
E-mail:

espa@uclaextension.org
uclaextension.org/entertainmentstudies

Web site:

for your free Winter Quarter course catalog (800) 554-UCLA, Dept

E-13.

j



American Cinematographer - December 2000

Table of Contents for the Digital Edition of American Cinematographer - December 2000

American Cinematographer - December 2000 - 1
American Cinematographer - December 2000 - 2
American Cinematographer - December 2000 - 3
American Cinematographer - December 2000 - 4
American Cinematographer - December 2000 - 5
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