American Cinematographer - December 2000 - 33

Close range aerial

filming

FLYING-CAM
then focuses

www.flying-cam.com

Will

again in a doorway
by the fresh paint. "I felt that I needed
something to light the scene that would
give us a point of interest," Barrett
details. "There was one lamp in the ceil¬
ing, which gives Will a bit of illumination
when he reaches the top of the stairs. I
didn't like the idea of having a practical in
each area of the room
after all, why
would Seth leave all of his lights on?
Owing to his torment, I figured I could lay
one practical lamp down on its side [and]
have it in frame; the light coming out of
the top of the shade would light up the
desk area, and the light coming out of the
bottom would light up the other wall and
on

Movies
Mission

Impossible 2, The Legend of Bagger Vance, The Beach,

j 007 Tomorrow Never Dies, 007 The World Is Not Enough,
Starship Troopers...

-

the mattress

on

the floor. When Will

reaches that
and at

doorway, I have him backlit,
that point you can believe that

he's turned

on

the other source."

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Unlike many indie productions,
Skeletons in the Closet enjoyed a cushy

Powers, "Michael and I

FL

on-location more

able to try

convenient than ever.

something, see it immediately and then
adjust it immediately in tape-to-tape."
The Post Group suggested using a
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a

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Film

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31
American Cinematographer - December 2000

Table of Contents for the Digital Edition of American Cinematographer - December 2000
