American Cinematographer - December 2000 - 68
Southern Gothic
The dead
often take a good look around to see
how the environment is lit in real life.
girl's
fiance, Wayne
Collins (Greg
Kinnear),
don't have to stick to
a great jumping-off
point when you're planning a light¬
ing strategy for a large area. In the
country club's foyer and main room,
Although
you
that scheme, it's
wonders if
Annie's psychic
sleuthing will
reveal the
killer's identity.
I used
a
lot of Chinese lanterns
because
they're quick, they're easy
they give off a beautiful light. We
usually had a PH-213 [250-watt] or a
500-watt lamp in them. If you can
get one in close to an actor's face, the
quality is just beautiful, but they're
also very efficient and useful for
creating a bit of ambient light in a
and
room."
The film's climactic
which takes
down the
requirements. "A large
location like the country club can be
rather intimidating - it was a huge
country club, where the soon-tobe-deceased Jessica attends a swanky
a
The expansive location threat¬
ened the production's tight schedule,
but Anderson approached it with a
real-world eye that helped him break
party.
area
with interiors and exteriors
where there
was
lights! During
a
place to hide
location scout, I'll
no
Pioneers in Underwater & Wetset
place at night
scene,
near a
wooded swamp, was even more
challenging to illuminate - "a
logistical nightmare," according to
Anderson. "One thing I struggled
with years ago was overlighting
night exteriors," he admits. "It's a
Technologies
For the
filming of "Sphere", Adam
Greenberg needed to illuminate Sharon
Stone and Dustin Hoffman faces while
wearing the underwater helmets.
Pace Technologies designed a flexible
system which splits the light going
forward and cascades down, precisely
lighting the distinctive facial features of
the two stars.
For "Men Of Honor" there
was no
forward
looking light and the space
was very limited.
Pace Technologies designed a
unique pin point inside lighting
system to accomodate Cuba Gooding
Jr. facial features.
inside the helmet
Cameras
-
Lights
-
Props
Rentals
Professional solutions
PACE
66
Wet Locations
that
-
Underwater
expand your
creativity.
-
Consulting
10741 Sherman
Sun
Way. Unit #1
Valley, CA 91352 USA
tel 818-759-7322 fax 818-759-7323
www.pacetech.com
American Cinematographer - December 2000
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