American Cinematographer - January 2001 - 80

bison Pen
Quills, directed by

Philip Kaufman and . '
photographed by
Rogier Staffers,
explores the unfettered
imagination of the
incarcerated Marquis
de Sade.
by Patricia Thomson
Unit

photography
by David Appleby

behind bars, the last in

boy and proud of it. "Imperious,

I he Marquis de Sade was a bad
choleric, irascible, extreme in

everything, with a dissolute
imagination the likes of which
has never been seen
Kill me again
....

or

take

me as

I am,

for I shall not

change," he defiantly charged in his
Last Will and Testament. Sade invited

trouble,

and

78

January 2001

came

with

a

His novels about perverse
pleasures led to three decades

vengeance.

carnal

it

an

insane

asylum. During his final years under
Napoleon's "Reign of Virtue," he was
denied his books, his pens, pencils
and ink, and finally his very clothes
and dignity. What's more, he went to
his grave distraught over the
mistaken belief that the manuscript
for his grand opus, The 120 Days of
Sodom, had been destroyed during
the storming of the Bastille.
On the other hand,

Quills, the

film about Sade's

twilight years,
good luck from day
one.
Fortune was smiling when
director Philip Kaufman and crew
new

was

blessed with

arrived

at

their first location, the

Royal Naval College in Greenwich,
England, whose grand hall was a
stand-in for the Palace of Versailles.
To the filmmakers'

surprise, the
Christopher Wren building stood
completely enveloped in scaffolding.
No one had told them it was being

SFearocchluigxfrtt.esy
Phot s



American Cinematographer - January 2001

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