American Cinematographer - April 2001 - 64
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A Favorable Verdict for
24p
bigger issue than the HD video,"
Fortunato explains. "Once you get
used to HD, it's very similar to work¬
ing with film. But constantly figuring
out how to hide lights was a major
challenge."
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Los
April 24
-
28, 2001
a
scene
in the fourth
a
motel, Fortunato
saw an
opportu¬
nity to create some moody, atmos¬
pheric lighting. He achieved it for the
multiple-camera motel scenes while
keeping his set mostly clear of instru¬
ments. By placing three or four very
narrowly focused 2K and 5K tung¬
sten lights outside a window of the
motel-room set, he was able to play
subtle vertical shadows (created by
the edges of the opaque curtains)
across the skittish Bennington's inse¬
Angeles
Italian Film
For
episode, during which Cynthia
Bennington and her colleague and
paramour Bobby Esposito check into
Award
Egyptian Theatre
The Festival of
Italian Film
We will bring to the screen
A UNIQUE COMBINATION OF
ITALIAN CINEMA AND TODAY'S
MOST PROMISING ITALIAN
American filmmakers.
vulnerable face. "We established
cure,
the window, with the
light coming in
through the closed shears, in one
shot," he explains. "The lights we
placed outside the window were
throwing tight beams, which did not
overlap, to a 1-square-foot area of the
window." The tight beams were
further shaped with cutters placed
outside the set's window. "Inside the
set, it felt like
been
cut
one
big source that had
inside the
room.
If I'd been
working with
have used
and
a
one camera, I would
10K outside the window
cutters
because
INFO LINE
and
213 955 1888
Paula
were
at
inside
the
set.
But
using two cameras
doing the close-ups on
we were
the
same
time
as
shots that
included the window, I couldn't have
cutters in the room."
The
lights outside the window
gelled with lA CTO to further
warm the tungsten instruments and
achieve the late-day feel Fortunato
were
was
after.
Inside,
a
Kino
Flo
(augmented by Va CTB to cool it
down
even
more) and
a
bounce
board
provided fill light. A IK back¬
light was in a standard position at the
top of a scenery wall.
WWW.ITALFILMFEST.COM
April 24-28 2001 @ Egyptian Theatre-Hollywood
At the end of the
in
a
one-camera
same show,
shot, Bobby and
American Cinematographer - April 2001
Table of Contents for the Digital Edition of American Cinematographer - April 2001
American Cinematographer - April 2001 - 1
American Cinematographer - April 2001 - 2
American Cinematographer - April 2001 - 3
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