American Cinematographer - June 2001 - 33

fiSjjS&s*' '5;g

ing part of making

a

documentary is that

you see that reality is more interesting
and more nuanced than anything you

expose

yourself

to total

could

possibly write. I felt incredibly
lucky to be a part of it. D.A. Pennebaker
told me one thing before I started: 'Just
shoot until you get bored.' That's what it's
all about. You just follow what you find is
interesting. It's like a maze, and some¬
times you find yourself at a dead end.
Then you find other storylines, but after
400 hours of footage, you have to
remember which parts excited you the
most while you were shooting them."

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finished film? "Kaleil and his

out afterwards and

said, 'I think it's

1

m

a

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about two guys starting a company and

n

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Wm

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Technical Toasts

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The Academy presented several
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31



American Cinematographer - June 2001

Table of Contents for the Digital Edition of American Cinematographer - June 2001

American Cinematographer - June 2001 - 1
American Cinematographer - June 2001 - 2
American Cinematographer - June 2001 - 3
American Cinematographer - June 2001 - 4
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American Cinematographer - June 2001 - 7
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