American Cinematographer - June 2001 - 40
Cinematographer Don McAlpine, ASC, ACS
reunites with director Baz Luhrmann to give the musical an
unusual and intriguing spin in Moulin Rouge.
by Rachael K. Bosley
Unit
photography by Sue Adler and Douglas Kirkland
picture musical has led to some
interesting experiments over the
years, among them the social
Ihe mal eabil ty ofthe motion-
criticism of Cabaret, the B-
movie
parody of The Rocky Horror
of
impresario Baz Luhrmann. Known
for ventures in opera, theater, fashion
knows at such a
and in such a surprising
way that people would be continually
disarmed by it." That storytelling
method, which employed what
Luhrmann called a "graphic cartoon¬
ing" approach to style and character¬
ization, would surface again in
and music, Luhrmann is familiar to
film audiences for
directing Strictly
Picture
Show, the Depression-era
fantasies of Pennies From Heaven (see
Ballroom (1992) and the frenetic
William Shakespeare's Romeo+Juliet
on page 136), and the
grim melodrama of Dancer in the
Dark. The new 20th Century Fox
film Moulin Rouge reimagines the
(1996).
Wrap Shot
38 June 2001
genre yet again, this time pairing it
with the offbeat vision of Australian
In
a
1992 interview about
Strictly Ballroom, which portrays an
ugly duckling's triumph in the world
competitive ballroom dance,
Luhrmann said, "I
story
that
wanted to tell this
everyone
terrific pace
Romeo+Juliet.
For
Luhrmann teamed with
that
film,
cinematog-
American Cinematographer - June 2001
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