American Cinematographer - November 2001 - 83

Cost effective
1 Vi'-wide,

head-shaped foamcore
the

to

cutout

Hassle free

camera.

Movies, television, special
events, sporting events,

"With the

attached to the mattebox, if

cutout

Special effects

music videos

caught a camera shadow while
following a character, it would look
as though the shadow was cast by

we

another character," Lenoir details.
Another significant set is the
underground bunker located on Mila
18 street. Constructed

of the

factory building

on

15

*

Remote control to pan,
tilt and focus

*

Quick set-up

*

More cost effective than
conventional lighting

three levels

on

the "back-

lot," the sets were linked with a
central, 6'-wide shaft cut through the
floor. Because the

concrete

*

set

or

6K HMI

parlights

and relocation

is

supposed to be underground, Lenoir
utilized many on-set practicals. "I had
to

make

a

radical decision, which

was

to

light without justification. When

we

first

see

this location, the Jews still

2

We Make It

have electrical power, so we

used
practical lights and bulbs to motivate
our lighting. Because it was under¬
ground, however, we lit the scenes as
if it was nighttime 24 hours a day.
"After they lose electricity, they
have to light the bunker with candles,
lanterns and oil lamps. Now, if we'd
been a large-scale production and
had had no ceilings and plenty of
time to rehearse complex dimmerboard adjustments and choreogra¬
phy, we might have been able to
develop a proper candlelit technique
to accentuate
more

this idea. But

than 100

extras

moving with handheld

we

and

«.'*

|; jt

For

£

equipment information
and quote call

5SJ

888/988-6025

Fill
v#

*

r

i r f

,4

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The

had

were

cameras

from many

different rooms with
ceilings, often covering
a full 360 degrees, so I decided to use
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totally
unmotivated
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imply candle and lantern light. If
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Uprising culminates with the
rebels fleeing into a network of filthy

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cement

sewers.

Constructed

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.8/T1.9

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stage at

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79
American Cinematographer - November 2001

Table of Contents for the Digital Edition of American Cinematographer - November 2001
