American Cinematographer - August 2002 - 94
AMERICA S PREMIER
BOLEX® DEALER
117642-.855-010mm
NEW BOLEX H16
RX-5
RX-5
SBM
SBM
EBM
EBM
EL
EL
Camera
Camera
Camera
Camera
Camera
Camera
Camera
Camera
CAMERAS
13x VF w/1:33 TV Mask
$ 3,195.00
Super 16 with Turning Turret.. $ 4,745.00
13x VF w/1:33 TV Mask
$ 2,995.00
Normal 16/Super 16
$ 4,657.00
14x VF, Batt, Chrgr, H/G
$ 3,195.00
pkg Normal 16/Super 16
$ 4,857.00
13x VF/1:33 TV Mask,Chgr,Bat$ 8,625.00
pkg Normal 16/Super16
$10,287.00
NEW KERN PRIME AND ZOOM LENSES
10mm f1.6 Switar Rx PD Multicoated "C*
$ 1,816.00
5.5mm Switar W/A Aspheron for above lens.... $ 1,340.00
6mm Century WA for Early 10 £422.50 & PD10 $
395.00
75mm f1.9 Macro-Switar PD Multicoated "C"... $ 1,703.00
Bolex Bayonet-Mount to C-Mount Adapter
$ 109.00
12.5-100mm f2.0 Vario-Switar PTL MC "B"16
$ 6,356.00
f2.0 Vario-Switar PTL MC "C"16 $ 6,583.00
f2.3 V-Switar PTL MC "B* 16/S16 $ 8,219.00
f2.3 V-Switar PTL MC *C* 16/S16 S 8,443.00
f2.0 Vario-Switar MC *B" or "C"16 £ 5,221.00
12.3 Vario-Switar MC "BTC"16/S16$ 7,082.00
fl .9 Vario-Switar POE-4 "B" 16/S16 S 3,600.00
f3.5 Vario-Switar Compact "B" 16/S16 . $ 1,325.00
NEW RX5, SBM, EBM, EL ACCESSORIES
with Film Cores Included
for Super-16 & Normal 16
Mag Motor f/AII EM, Some ESM.EL.EBM
400' Magazine
400' Magazine
WM
.
Matte-Box B for Prime or Zoom Lenses
ESM Multispeed/Sound-Sync 12V Motor only..
£
705.00
892.00
432.00
$
S
$
Book Bolex Bible all about the H16 Series
....
31.95
£
NOTICE! Office Hrs 9-12/1-5 M-Th Eastern=GMT-5hrs
TEL# 706-636-5210
subject to
change based
FAX# 706-636-5211
WE SHIP ALU0ST ANYWHEF£
CHAMBLESS
I J \CINE EQUIPMENT
Complete
Sales,
/ ] \ 13368 Chatsworth Hwy
Service & f
1 \ Ellijay,GA 30540 USA
Parts
j August 2002\ We Accept MC & VISA
°0H
sionals to
X
BOLEX SUPER 16
prices for the conversion of your
RX - RX4 - RX5
Electronic
Kern lenses
Surfers need
+
names
with extensive
resumes.
Zooming Under the Radar
VariZoom
GA
PROCAM, AZ, phone (928) 708-9901
MiniDV, D8 and Hi8 camcorders.
The StealthZoom is
wake-up in a sleek body that fits in the
palm of your hand. It can also clamp onto
a tripod, jib, shoulder support or other
camera-support system. By using it
handheld, camera operators can keep
ing unwanted jitter and noise during
recording.
VariZoom, (888)826-3399, Web
site: www.varizoom,com.
(212) 247-6517
BOLEX INTERNATIONAL SA
1400 YVERDON-LES-BAINS
SWITZERLAND
Phone +41 24 425 60 21
Fax
+41 24 425 68 71
bolex@bluewin.ch
Micro Head
Trip
MicroDolly's new Power Head
provides remote-control pan and tilt
movement for cameras mounted at a
distance from the operator. Created for
use on the MicroDolly Jib, the compact
Power Head works
The Jib Is
section.
The JanJib is constructed of
lightweight aluminum sections that
quickly clip together. Though light¬
weight, the JanJib is strong and rigid.
camera
movement is assured
Eqripment's high-quality bearing
system.
The JanJib includes standard
fluid head. The remote
operation using a
option includes a
special front section to mount a remote
camera
manufacturer's
head with rear-section controls
equally well on the
Dolly and
Camera
Suction Mount.
With
a
setup time of less than
five minutes, the Power Head can hold
film and video
weighing from 5pounds. The head's adjustable clutch
system allows it to be driven either by
smooth push-pull cables or robotic elec¬
cameras
40
tronic motors, and it can even function
underwater. A simple,
rotating handlebar
and tilt with complete drag
adjustment. Focus and zoom controls can
controls pan
also be mounted. The Power Head
in
comes
sized
offset arms for manual
E-mail
vari¬
zoom, with controls for
manual focus, record/pause and standby
Smooth
www.bolex.ch
a true
able-speed
with
Manufacturer's international service
90
the
light¬
weight control for Sony and Canon
TCS New York, phone
www.tcsfilm.com
-
created
has
StealthZoom ($229), a compact,
www.bolex-usa.com
CH
www.egripment.com.
Visitvvww.lbbvfx.com.
agents in the USA
www.chamblesscineequip.com
-
4295, fax (818) 787-6195, Web site:
are
nion section, one front section and one
CHAMBLESS Cine Equipment,
Phone (706) 636-5210
-
only register their
and e-mail addresses. Available
the site
Eqripment
portfolios that showcase
photographic stills and video samples of
companies' visual-effects work, along
on
rear
Your full-service
It mounts to all standard
Egripment USA, Inc., (818) 787-
H16 EL
cameras
12.1
pounds and has a reach of 3.5'a maximum platform height of
columns and dollies and to any column
with an Elemack or Eurocouple top.
member database for free.
all film accessories
new from stock in 16/Super16
Spring driven cameras H16 SBM
Also
*
industry profes¬
nearly 5,000-
Up
Egripment's JanJib system offers
a new way to build a jib arm because of
its unique modular components. A vari¬
ety of 10 different jib-arm configurations
can be created with only one basic trun¬
SB - SBM - EBM - EL
and Kern Zoom lenses
*
its
access
their hands off the camcorder, prevent¬
of Switzerland
-
up to 20
10' with
Web site that allows
e-mail: bolexcce@ellijay.com
EXCHANGE
*
The Little Black Book of Visual
Effects has found its way onto the
Internet as lbbvfx.com, a visual-effects
^^www.chamblesscineequip.com
0
New low
arm
636.00
$ 750.00
ESM Motor, Charger, NiCad Battery, Handgrip. S 1,476.00
Bolex 24/25fps Combo Crystal+Pilotone Unit... $
750.00
Super-Stix Alum Tripod w/Column, Leveling Ball . S 1,195,00
Shoulder Brace with Rapid Attachment
£ 613.00
Professional Monopod 21 "->63"w/Rapid Attchmnt $
341.00
PRICES ARE
so
Resource
..
.
single operator can operate the
and the head. The JanJib can carry
that a
Online Visual-Effects
a
metal-reinforced, attache¬
case.
For
more
information,
MicroDolly at (818) 8458383, fax (818) 845-8384, E-mail:
microdolly@microdolly.com, Web site:
www.microdolly.com.
contact
American Cinematographer - August 2002
Table of Contents for the Digital Edition of American Cinematographer - August 2002
American Cinematographer - August 2002 - 1
American Cinematographer - August 2002 - 2
American Cinematographer - August 2002 - 3
American Cinematographer - August 2002 - 4
American Cinematographer - August 2002 - 5
American Cinematographer - August 2002 - 6
American Cinematographer - August 2002 - 7
American Cinematographer - August 2002 - 8
American Cinematographer - August 2002 - 9
American Cinematographer - August 2002 - 10
American Cinematographer - August 2002 - 11
American Cinematographer - August 2002 - 12
American Cinematographer - August 2002 - 13
American Cinematographer - August 2002 - 14
American Cinematographer - August 2002 - 15
American Cinematographer - August 2002 - 16
American Cinematographer - August 2002 - 17
American Cinematographer - August 2002 - 18
American Cinematographer - August 2002 - 19
American Cinematographer - August 2002 - 20
American Cinematographer - August 2002 - 21
American Cinematographer - August 2002 - 22
American Cinematographer - August 2002 - 23
American Cinematographer - August 2002 - 24
American Cinematographer - August 2002 - 25
American Cinematographer - August 2002 - 26
American Cinematographer - August 2002 - 27
American Cinematographer - August 2002 - 28
American Cinematographer - August 2002 - 29
American Cinematographer - August 2002 - 30
American Cinematographer - August 2002 - 31
American Cinematographer - August 2002 - 32
American Cinematographer - August 2002 - 33
American Cinematographer - August 2002 - 34
American Cinematographer - August 2002 - 35
American Cinematographer - August 2002 - 36
American Cinematographer - August 2002 - 37
American Cinematographer - August 2002 - 38
American Cinematographer - August 2002 - 39
American Cinematographer - August 2002 - 40
American Cinematographer - August 2002 - 41
American Cinematographer - August 2002 - 42
American Cinematographer - August 2002 - 43
American Cinematographer - August 2002 - 44
American Cinematographer - August 2002 - 45
American Cinematographer - August 2002 - 46
American Cinematographer - August 2002 - 47
American Cinematographer - August 2002 - 48
American Cinematographer - August 2002 - 49
American Cinematographer - August 2002 - 50
American Cinematographer - August 2002 - 51
American Cinematographer - August 2002 - 52
American Cinematographer - August 2002 - 53
American Cinematographer - August 2002 - 54
American Cinematographer - August 2002 - 55
American Cinematographer - August 2002 - 56
American Cinematographer - August 2002 - 57
American Cinematographer - August 2002 - 58
American Cinematographer - August 2002 - 59
American Cinematographer - August 2002 - 60
American Cinematographer - August 2002 - 61
American Cinematographer - August 2002 - 62
American Cinematographer - August 2002 - 63
American Cinematographer - August 2002 - 64
American Cinematographer - August 2002 - 65
American Cinematographer - August 2002 - 66
American Cinematographer - August 2002 - 67
American Cinematographer - August 2002 - 68
American Cinematographer - August 2002 - 69
American Cinematographer - August 2002 - 70
American Cinematographer - August 2002 - 71
American Cinematographer - August 2002 - 72
American Cinematographer - August 2002 - 73
American Cinematographer - August 2002 - 74
American Cinematographer - August 2002 - 75
American Cinematographer - August 2002 - 76
American Cinematographer - August 2002 - 77
American Cinematographer - August 2002 - 78
American Cinematographer - August 2002 - 79
American Cinematographer - August 2002 - 80
American Cinematographer - August 2002 - 81
American Cinematographer - August 2002 - 82
American Cinematographer - August 2002 - 83
American Cinematographer - August 2002 - 84
American Cinematographer - August 2002 - 85
American Cinematographer - August 2002 - 86
American Cinematographer - August 2002 - 87
American Cinematographer - August 2002 - 88
American Cinematographer - August 2002 - 89
American Cinematographer - August 2002 - 90
American Cinematographer - August 2002 - 91
American Cinematographer - August 2002 - 92
American Cinematographer - August 2002 - 93
American Cinematographer - August 2002 - 94
American Cinematographer - August 2002 - 95
American Cinematographer - August 2002 - 96
American Cinematographer - August 2002 - 97
American Cinematographer - August 2002 - 98
American Cinematographer - August 2002 - 99
American Cinematographer - August 2002 - 100
American Cinematographer - August 2002 - 101
American Cinematographer - August 2002 - 102
American Cinematographer - August 2002 - 103
American Cinematographer - August 2002 - 104
American Cinematographer - August 2002 - 105
American Cinematographer - August 2002 - 106
American Cinematographer - August 2002 - 107
American Cinematographer - August 2002 - 108
American Cinematographer - August 2002 - 109
American Cinematographer - August 2002 - 110
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com