American Cinematographer - September 2002 - 75

for the set, it had windows on three
sides of the building, so our truly
brilliant

riggers, Mario and Nick
Matic
whom we lovingly referred
to as the Super Mario Brothers -
had to spend three days hanging
Duvetyn outside to darken the whole
building."
A platform was built 40' above
the floor (the hall ceiling height was
150') and covered with metal grating.
Some 35' above that, a metal ring was
suspended to support the weight of
the heavy walls, which leaned against
the center ring. A majority of
Sebaldt's multi-tiered lighting for the
sequence originated 20 feet below, on
another platform that held two 6K
-

Crewmembers disturbed the

water

during shots to give life to the
light shining up through
the metal grating. To round out the
lighting of this environment, about
10 tungsten Pars were aimed through
the metal grating to provide little
splashes of light on the walls and to
help with exposure. "It sounds like a
lot of light," the cinematographer
says, "but once it went through the
metal grating, very little ended up on
bounced

the walls."
In addition to

practical and four

or

some

small

five daylight

fluorescent tubes within the set, the

only other
actors was

source used to light the
4K Xenon aimed into a

a

HMI Pars and two 4K HMI Pars.

4'x4' mirror

These units

metal

containers of water filled with mirror

suspended within the
ring above. "Because we
couldn't go up there once the set was

shards

dressed and the

were

bounced into

large

the hall floor; the contain¬
made of 12"-high wood and

on

ers were

ranged from 12x12' to 8'x25'.

actors were

literally predetermined
during construction that

an
we

in,

we

angle
hoped

Extensive

preplanning

was necessary to ensure

plant] cooling towers, we knew that three weeks in advance
and had it brought in from England."

DIGITAL
Create

a

that the

necessary equipment was on hand. Says Sebaldt, "When we
needed a Musco light for a gigantic exterior shot of [steel

FILM

35 mm look with P+S

Use of film lenses and

focussing screens
gives better images in mini OV format for
TV spots, internet applications, commercials,
presentations...
o

Depth of field and focus is exactly the
same as

o

with

a

35

mm

film

camera

Can be used with various 35

mm

motion

picture and still lenses
o

Also available for Sony P0150, VX1000,
VX 2000

D A S
WERK
Member of
DAS WERK AG

P+S

TECHNIK®

P+S TECHNIK GmbH

*

Munich

Fax ++49 89 45 09 82 40

E-mall:

*

lnfo@pstechnik.de

Tel. ++49 89 45 09 82 30
*

www.pstechnik.de

Local contact:
ZGC Film & Video

Equipment

264 Morris Avenue

- Mountain Lakes. NJ 07046
Tel. ++1 973-335-44 60 ' Fax ++1 973-335-45 60
Email: sales@zgc.com

71



American Cinematographer - September 2002

Table of Contents for the Digital Edition of American Cinematographer - September 2002

American Cinematographer - September 2002 - 1
American Cinematographer - September 2002 - 2
American Cinematographer - September 2002 - 3
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