American Cinematographer - March 2003 - 18

Knowing

how

process works liberates
imagination. Progress in
filmmaking is inconceivable to me
a

the

without
-

formal

a

for

it

me

education
two

was

MICHAEL

MANN

The London Film School's two-year

in

years
lfs

cinema

at

graduate

LFS"
nt7

MA FILMMAKING

starts in

all
on

September, January and May. To find out more about training in
departments with a minimum of six film exercises in 1 6mm and 35mm,
location and

on

built sets, in

a

L 0 H [Mil I1

TRADITION

1f i l n n
OF

setl

INNOVA

24 SHELTON STREET, LONDON, WC2H 9UB U.K. TELEPHONE: +44 (0)20 7836 9642

digital color
big screen. (At press time,
TCS managers were still deciding which
digital projector to purchase for the
room.) A second screening room will
eventually become another color-timing
grading

FAX: +44 (0)20 7497 3718 EMAIL: film.school@lfs.org.uk

on a

suite.
"We're

working studio with students from 30

lfs.org.uk
THE

will enable clients to do

redoubling

ment to New York's

commercial

our

commit¬

film, broadcast and

production communities,"

says Bob Beitcher, president of TCS.
"We're fully committed to the industry's

future here and feel that there is
tremendous

a

opportunity for Thomson

and Technicolor to continue to grow their

postproduction businesses organically."
Schloss notes that the model for
the

facility comes out of a reassess¬
healthy facility looks like.
"What's required is a lot different from
when John [Dowdell] and I started in the
post game, and even what was germane
in the late 1990s," he says. "Many of the
established facilities have huge invest¬
ments in visual effects and compositing
technologies. In the facility model, it no
longer works because the overhead is so
immense and you're competing against
your own clients."
Instead, says Schloss, Techni¬
color plans to tailor its offerings to
providing services that most companies
can't afford to get into. "We're providing
talent and technologies that are not
cost-effective unless you have a very
wide variety of clients to draw on. We
plan to be a force in the commercial side
of the market; another market we hope
to impact is cinema advertising, as well
as [digital] indie features that want to go
new

ment of what a

q/j ZsUf m
Film Department
Angenieux Optimo 24-290 T2.8
Zeiss Ultra Primes

Cooke S4 Lenses

Panasonic Varicam "F" HD
P+S Technik Pro 35 Converter
P+S Technik Mini35 / Canon XL-1s

Panasonic DVX-100 MiniDV

TCS adds

personnel to

better with 24/7

24p

serve you

availability.

back to film. The handshake between
the lab and the

digital world has to be
really, really tight. The only way to do
that was to integrate them. To have the
biggest lab in this market, which is Tech¬
nicolor, marry digital and chemical helps
to create a new paradigm.
"There is a very coordinated
approach to sharing technologies, ideas
and information

so

that clients

can

work

in any of the Technicolor facilities world¬
wide without missing a beat," he
concludes.
ARRI

*

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ANGENIEUX

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630 NINTH AVENUE

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NEW YORK. NY 10036

*

212 247 6517

RENTAL I

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SALES I

info@tcsfilm.com

SERVICE

■
American Cinematographer - March 2003

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