American Cinematographer - March 2003 - 27

SELECTION

ARRICAM LT
State-of-the-art technology abounds in this latest offering from Arri. It includes an LDS
(Lens Data System), and you can ramp from I to 40 FPS, plus control shutter and iris. The
Arricam LT is the 2nd lightest 35mm sync sound camera in the world (only I lb. heavier
than the Moviecam SL). It's exceptionally quiet, too.

ARRI 435
Clearly the camera of choice for many applications, the versatile, modular 435 is a rocka temperature range of -30° F to + 150° F. It has a frame rate from
I per 99 hours to 150 frames per second forward and reverse, can be equipped with a
plethora of accessories and controls, and features an Integrated Video Assist system (IVS).
solid workhorse with

AND MORE...

AATON A-MINIMA
Here's the most compact,

rugged and lightweight 16mm camera around. It has a unique film
transport system that results in a steadiness of 1/2000th of image size. An exclusive Distant
Eye Viewfinder contains a light trap that prevents stray light from the eyepiece fogging the film.
A built-in intervelometer allows a frame rate of 1-50 tps, plus single framing.

Need to crawl under a car, track a rocket, or get an underwater shot? Clairmont also has a very
large selection of specialty cameras like the unique Low Profile Fries Mitchell (above), Vista Vision,
High Speed Wilcam and others. Add the industry's largest selection of specialty lenses, and you
know why Clairmont is where knowledgeable cinematographers go for the unusual.

CLAIRMONT
CAMERA
FILM&DIGITAL
HOLLYWOOD

TORONTO

VANCOUVER

818-761-4440

416-467-1700

604-984-4563

www.clairaioiit.com



American Cinematographer - March 2003

Table of Contents for the Digital Edition of American Cinematographer - March 2003

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