American Cinematographer - May 2003 - 126
The detection
on
algorithm is based
the difference between readable time
code values. (It does not report camera
start/stop points or analyze scene
changes.) When the difference between
time code values is greater than the mini¬
mum gap setting, a "break" is denoted.
Each clip is assigned an alphabetical
label (A, B, C). The approximate Begin
strong evidence of Kodak's commit¬
Cinesite will continue to offer
provide cutting-edge hybrid
imaging service for visual effects, digital
film mastering and film restoration."
Cinesite opened its London facil¬
ity in 1993 with three staff members.
Approximately 160 people are now on
high-quality scanning and recording as
is
a
ment to
staff. For
clip, along with
call +44 (0) 20 7973 4000, fax +44
20 7973 4040.
cates the
has
and End Time Code
are
listed for each
a "Reference Time
Code." The Reference Time Code indi¬
approximate position of the
break on the tape. TCDetective can
report up to 24 clips (breaks) on a tape.
To
TCDetective, you must
OHCl-compatible FireWire port
use
have
an
and
appropriate Microsoft DV driver
installed. TCDetective
Direct Show
uses
display video feed-through, which
requires DirectX 8.1 or later. Hotlinks to
Microsoft DirectX updates are available
from www.imagineproducts.com/dldriv
to
ers.htm. TCDetective is Windows2000,
XP, ME, 98SE compatible.
To download TCDetective, visit
www.imagineproducts.com/tcdetective.
htm.
For
more
information, contact
Imagine Products, Inc. at (317) 843-0706,
(317) 843-0807, Web site:
www.imagineproducts.com.
fax
Magic Bullet Goes Red Giant
Orphanage's Magic Bullet
The
Suite 1.0 software, a standard- and hidef video enhancer and 24p converter
that was
profiled in AC in February'03, is
now
available through Red Giant
Software. Call (415) 274-2000 or visit
www.redgiantsoftware.com.
or
announced
Changes
Next month Cinesite
(Europe) Ltd.
will relocate from 9 Carlisle Street to
Medius House, 2 Sheraton Street, in
London. The new 30,000-square-foot
complex will have a 40-seat state-of-theart cinema and three floors of production
and facilities suites.
"This move," says
Cinesite CEO
Colin Brown, "gives us the opportunity to
rethink processes and pipelines from the
up, which are at the heart of a
successful visual-effects business. This
ground
May 2003
restoration services from its
for
more
information.
(0)
that
its
Cinesite
subsidiaries will create "centers of
growth" for its digital imaging services
business, building a future in long-form
digital film mastering around a core in
Cinesite Hollywood and devoting
Cinesite London to providing full-service
Barco for the
visual effects. Cinesite London will
continue to offer
a
D-Cinema
full slate of
digital
visual
effects, and through its
subsidiary, Effects Associates, will grow
its participation in models, miniatures
and other practical effects.
"Digital imaging services are crit¬
ical to Kodak's future," says Eric Rodli,
president of Kodak's Entertainment
Imaging division. "But we need to
for
a
Loungers
So you don't quite have the room
60' screen in your new digital
cinema
mastering theater. Barco Digital
Cinema has introduced the compact DCine Premiere DP30, a value priced DLP
Cinema projector designed to meet the
need for postproduction and true digital
cinema
concentrate our efforts and our invest¬
displays on screens of up to 33'
(1 Om) wide. Designed to meet a growing
ments in markets where we have a
demand for
long-term sustainable business model
correction of
with attractive rates of return, and
intermediates, the D-Cine Premiere
where
achieve
leadership
position. Long-form digital film master¬
ing offers that opportunity here in
Hollywood; London provides great
potential to build on Cinesite's award¬
winning work in special effects."
Over the past decade, Cinesite
we
has become
Some
as
Hollywood location. As that facility
completes the work it already has under¬
way, it will begin to phase out effects
operations. Contact Cinesite Hollywood
at (323) 468-4400 or fax (323) 468-4404
In other Cinesite news, Kodak
and
Cinesite Makes
120
information, visit the
more
Cinesite Web site at www.cinesite.com
well
can
one
a
of Kodak's best-known
widely respected digital
brands, with responsibility for a number
of advancements in digital filmmaking.
"We continue to do award-winning
work in visual effects," says Ruth
Scovill,
president
of
Cinesite
Hollywood. "But the original intention of
Cinesite Hollywood was to be a 'learn¬
ing environment' where the company
could help to establish quality stan¬
dards and influence industry practices.
By focusing on long-form digital film
mastering, which is in its infancy, this
unit will be returning to those roots."
most
digital screenings for color
digital masters and digital
DP30 is
equipped with a range of
interchangeable
Barco's digital cinema projectors.
features that makes it
with
Like the Barco D-Cine Premiere
DP50
projector, which is designed for
larger-screen displays, the new DP30
incorporates all of the user benefits of
the company's extensive Communicator
setup, calibration and remote control
software. It also supports the RC567
touchscreen control and offers the
security, subtitling, color and contrast
imaging benefits of the Texas
Instruments DLP Cinema processing.
The DP30 projector allows users to
manipulate colorspace, and proprietary
3-D Color Look Up Tables (CLUT) are
downloadable to match the look and
feel of film, regardless of which
recorder or film stock is used.
For
more
film
information, contact
Harry Mathias at Barco Digital Cinema,
American Cinematographer - May 2003
Table of Contents for the Digital Edition of American Cinematographer - May 2003
American Cinematographer - May 2003 - 1
American Cinematographer - May 2003 - 2
American Cinematographer - May 2003 - 3
American Cinematographer - May 2003 - 4
American Cinematographer - May 2003 - 5
American Cinematographer - May 2003 - 6
American Cinematographer - May 2003 - 7
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