American Cinematographer - May 2003 - 60

Memories of a Master
tually knew what to do - he never
to anguish about a scene. He

had

could look

at

a

set

and almost

instantly have a notion of how he
light it. He always talked

would

about fortuitous accidents

-

like

the shadows of the

raindrops on
Robert Blake's face in In Cold Blood
that look like tears

-

but that

wasn't the bulk of his work. The
bulk of his work

his

amazing
putting together a scene
and his light.
Searching for Bobby Fischer is
an example of
beautifully simple
lighting, and by that I mean Connie
was
very frugal about his use of
light. His simplicity was the kind
that comes out of frugality; he didn't
use a lot of equipment, but he knew
where to position everything.
was

talent for

A newly serene suburbanite (Kevin
Spacey) tunes out his wife's tirade in
American Beauty (1999), which earned

Hall his second Oscar for Best

Cinematography.

think he underestimated himself,
like many
work was
had

artists do. To him, his
good enough. He

never

so

much talent that he instinc-

*

Sales

SONY

Rentals

54

*

Service

Film/Video

800 South Jason St Denver, CO 80223

Equipment Service
Company, Inc.

303-778-8616

www.fvesco.com

800-776-8616

*

fvesco@fvesco.com

FAX 303-778-8657

Stephen
Connie

Burum,

transcended

the

ASC:
art

of



American Cinematographer - May 2003

Table of Contents for the Digital Edition of American Cinematographer - May 2003

American Cinematographer - May 2003 - 1
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