American Cinematographer - December 2003 - 102
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imaginary encounter with his daughter (Kelsey Lewis, against a bluescreen
County Arboretum) makes Cooper (below) reflect
upon his life.
An
environment shot at the L.A.
vertically with the frame to show that
we're killing him."
Later, A.N.I. presents a series of
idealized, Norman Rockwell-style
scenes featuring Cooper's father, wife
and daughter, all of whom try to
persuade him to do what A.N.I. wants.
The camera returns repeatedly to the
same move, which Schrader says is
When A.N.I.'s efforts to control
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the filmmakers.
Erickson had the
camera
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Cooper fail, it begins to torture him
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during this part of the shoot,
acting as a mentor to Erickson; Wesley
Sewell, whose expertise encompasses
both effects and editing, also advised
was on
over,
the computer
running the same protocol over and
waiting for Cooper to finally deliver
the right answer.
New low
background.
processed at Deluxe, and he did the
transfer and color-timing of the DigiBeta
meant to underscore that
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lights and used Maxi-Brutes for the 24'
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Visual-effects artist David
instead. For those scenes, which take
place in a stylized computer-generated
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of the computer, Erickson shot with a
45-degree shutter angle and used very
contrasty lighting to play up the harsh¬
ness.
He lit the actor with 5K tungsten
tive
Global Entertainment Partners
in Sherman Oaks, California; at the time,
postproduction facility had just
opened. Colorist (and owner) Kevin
O'Connor was generous to the produc¬
tion, according to Erickson, who was
impressed by how much support the
production received from industry
professionals. "A lot of generous people
will help you out if you're a dedicated
the
student," he notes. "You don't
see
that
American Cinematographer - December 2003
Table of Contents for the Digital Edition of American Cinematographer - December 2003
American Cinematographer - December 2003 - 1
American Cinematographer - December 2003 - 2
American Cinematographer - December 2003 - 3
American Cinematographer - December 2003 - 4
American Cinematographer - December 2003 - 5
American Cinematographer - December 2003 - 6
American Cinematographer - December 2003 - 7
American Cinematographer - December 2003 - 8
American Cinematographer - December 2003 - 9
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American Cinematographer - December 2003 - 11
American Cinematographer - December 2003 - 12
American Cinematographer - December 2003 - 13
American Cinematographer - December 2003 - 14
American Cinematographer - December 2003 - 15
American Cinematographer - December 2003 - 16
American Cinematographer - December 2003 - 17
American Cinematographer - December 2003 - 18
American Cinematographer - December 2003 - 19
American Cinematographer - December 2003 - 20
American Cinematographer - December 2003 - 21
American Cinematographer - December 2003 - 22
American Cinematographer - December 2003 - 23
American Cinematographer - December 2003 - 24
American Cinematographer - December 2003 - 25
American Cinematographer - December 2003 - 26
American Cinematographer - December 2003 - 27
American Cinematographer - December 2003 - 28
American Cinematographer - December 2003 - 29
American Cinematographer - December 2003 - 30
American Cinematographer - December 2003 - 31
American Cinematographer - December 2003 - 32
American Cinematographer - December 2003 - 33
American Cinematographer - December 2003 - 34
American Cinematographer - December 2003 - 35
American Cinematographer - December 2003 - 36
American Cinematographer - December 2003 - 37
American Cinematographer - December 2003 - 38
American Cinematographer - December 2003 - 39
American Cinematographer - December 2003 - 40
American Cinematographer - December 2003 - 41
American Cinematographer - December 2003 - 42
American Cinematographer - December 2003 - 43
American Cinematographer - December 2003 - 44
American Cinematographer - December 2003 - 45
American Cinematographer - December 2003 - 46
American Cinematographer - December 2003 - 47
American Cinematographer - December 2003 - 48
American Cinematographer - December 2003 - 49
American Cinematographer - December 2003 - 50
American Cinematographer - December 2003 - 51
American Cinematographer - December 2003 - 52
American Cinematographer - December 2003 - 53
American Cinematographer - December 2003 - 54
American Cinematographer - December 2003 - 55
American Cinematographer - December 2003 - 56
American Cinematographer - December 2003 - 57
American Cinematographer - December 2003 - 58
American Cinematographer - December 2003 - 59
American Cinematographer - December 2003 - 60
American Cinematographer - December 2003 - 61
American Cinematographer - December 2003 - 62
American Cinematographer - December 2003 - 63
American Cinematographer - December 2003 - 64
American Cinematographer - December 2003 - 65
American Cinematographer - December 2003 - 66
American Cinematographer - December 2003 - 67
American Cinematographer - December 2003 - 68
American Cinematographer - December 2003 - 69
American Cinematographer - December 2003 - 70
American Cinematographer - December 2003 - 71
American Cinematographer - December 2003 - 72
American Cinematographer - December 2003 - 73
American Cinematographer - December 2003 - 74
American Cinematographer - December 2003 - 75
American Cinematographer - December 2003 - 76
American Cinematographer - December 2003 - 77
American Cinematographer - December 2003 - 78
American Cinematographer - December 2003 - 79
American Cinematographer - December 2003 - 80
American Cinematographer - December 2003 - 81
American Cinematographer - December 2003 - 82
American Cinematographer - December 2003 - 83
American Cinematographer - December 2003 - 84
American Cinematographer - December 2003 - 85
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American Cinematographer - December 2003 - 88
American Cinematographer - December 2003 - 89
American Cinematographer - December 2003 - 90
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American Cinematographer - December 2003 - 93
American Cinematographer - December 2003 - 94
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American Cinematographer - December 2003 - 99
American Cinematographer - December 2003 - 100
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American Cinematographer - December 2003 - 103
American Cinematographer - December 2003 - 104
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American Cinematographer - December 2003 - 109
American Cinematographer - December 2003 - 110
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