American Cinematographer - December 2003 - 90

Desert Dre

ms
practically no shadows - they were
all filling each other in."

On location in
Arizona, director
Rick Schroder

Gainer filmed the tourna¬

stands by as
Saleh checks
the camera and
Gainer gets a
reading on an
actor far

Kodak Vision2 500T

ment

bouts

5218

stock, which he overexposed

on

by one stop, resulting in a comfort¬
able exposure of T5.6-T8. "That
enormous depth of field certainly
aided [first assistant] Shereen
[Saleh]," he recalls. "When you're
handholding a 75mm [lens] and the
boxers are moving unpredictably,
trying to keep the shots in focus is a
miracle. [We] rehearsed the moves,
but when they're walking in there
and swinging at each other, they
don't always move the same way for

in the

distance.

each take."
In

erected

40x40' truss above the

a

and ringed it with Par cans to
supplement the practical already in
place. Gainer then patched all the
lamps into dimmers "to cut one side
or the other, depending on which
stage

side I wanted

backlight on." At
first, he worried about multiple

shadows
sources,

more

from

the

point
but he discovered that

"because of the distance and the

proximity of the

cans,

[CARTQNI1 SIGMA
limit I HI cii§mflf©| rapif

All In
*3

@m

Payload: 88 lbs (40 Kg)
weight: 24 lbs (11 Kg)

Head

Pan range:

Tilt range:
Base diameter:

360°

+/- 90°
150mm/Mitchell

-40°/+158 °F (-40/+60 Celsius)
Fluid drag: Continuously adjustable
Counterbalance: Continuously adjustable
Spirit level: Illuminated for low-light conditions
Camera attachment: Quick release European style
Temperature

with

an

range:

tradition, stands behind each head
unprecedented 5 year Warranty.

CARTONI,

as per

CARTONI USA
WVYvW,Wl.^,W\im"A
86

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or

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Call 1-800-845.6619

there

were

the final round, Black

Cloud catches

a

wicked uppercut

that sends him to the floor. He then

spiritual reverie from which
the strength to rise and
knock out his opponent. The cam¬
era introduces the sequence by
enters a

he

summons



American Cinematographer - December 2003

Table of Contents for the Digital Edition of American Cinematographer - December 2003

American Cinematographer - December 2003 - 1
American Cinematographer - December 2003 - 2
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