want a black-and-white shot or sequence in a color film, it's no problem," Daviau declares. "The process was so perfectly controlled that the result was just stunning. The opening sequence is part of our homage to Universal horror films of the Thirties." Is that a bat? Filming during the dead of winter in Prague, Daviau lines up a shot of some fast- approaching creature. ■ TECHNICAL SPECS 1.85:1 his That sequence has the possible before sub¬ tly transitioning into color. Inspired by Roger Deakins, ASC, BSCs work monster. least saturation on The Man Who Wasn't There (AC June '02), Daviau shot the sequence with 5218 but had Deluxe dailies on Eastman print the High Contrast Panchromatic 5369, a stock primari¬ ly used for silhouette and traveling mattes. Panaflex Millennium Primo lenses After EFilm scanned the film, the color drained digitally was and then filmed out onto the color print stock, creating a neutral blackand-white sequence on color film. "What this means Kodak Vision2 500T5218 Digital Intermediate by EFilm Printed on Kodak Vision 2383 is if you www.flying-cam.com Harry Potter & The Prisoner of Azkaban Harry Potter & The Chamber of Secrets Van Helsing 007 Die Another Day 007 The World Is Not New Digital Remote New improved New Digital Pilots in Enough 007 Tomorrow Never Dies Head Controler Mission Gyrostabilization Impossible // A Beautiful Mind Wireless Patented Body-Pan® Intacto Relay for Fly Through Operation Disney California Disney Paris Disney Tokyo (nnseta} ig Ph 32 4 227 3103 Ph 310 581 9276 Fax 32 4 227 1565 Fax 310 581 9278 europe@flying-cam.com usa@flying-cam.com 51