American Cinematographer - September 2004 - 127

mf

SAM
BAYER
"One of the lessons I learned in

don't need
of training to create a
great painting. You have to dig
inside of yourself and create
something that comes from your

art school is that you

25 years

heart and soul. MTV was like an

experimental film school for me.
I've also been influenced by
abstract painters and photogra¬
phers. Take all those things, mix
them up and you have a picture of
who I

am as a

filmmaker. Chinese

folklore refers to an inner eye.
I think that's what allows us

split-second decisions
can't articulate until
you see it through the lens.

to make

that you

It's

a

combination of intuition and

experience. Stanley Kubrick was
one of my heroes. I had a zoom
lens he had developed for Barry
Linden pulled out of moth balls for
a

commercial where I wanted

a

particular effect. I can't explain
the technology, but I knew it was
the right thing to do. I also know if
I use a certain film and push it
two stops on a dark city street,
I'm going to create an emotional
response that is more powerful
than words. I think the mark of
a

great music video, commercial
motion picture film lies in the
answer to this question: Is it

or

flavor of the month

or

timeless?"

Sam Bayer graduated from The
School of Visual Arts in New York

City. He

was a "starving" painter
before he directed and shot his

first music video, Nirvana's Smells
Like Teen Spirit in 1991. It topped
the MTV Best Music Video of
All-Time List in 1998.
x

Bayer has
subsequently directed and shot

150 music videos and 200
television commercials. He has
earned numerous awards for his
short form work. Currently he

ssome

is'preparing

to direct his first

feature film, a remake of 1971's

Vanishing Point.
NFor

an

extended interview

with Sam Bayer,

\

visH the Kpdak website at

wwW.kodak.com/go/onfilm
\
To order Kodak motion

picture film,
(800) 621-FILM.
www.kodak.com/go/motion
© Eastman Kodak Company, 2004.
Photography: ©2004 Douglas Kirkland
call

WUrnmUr
wMKKMIl

i||d[



American Cinematographer - September 2004

Table of Contents for the Digital Edition of American Cinematographer - September 2004

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