American Cinematographer - September 2004 - 41
Color Viewfinder
Zebra Pattern
Zoom Control
The XL2's color viewfinder
Displayed in the viewfinder but not
recorded, Zebra stripes can be made to
appear over any area that is overexposed,
This helps guide aperture and shutter
speed adjustment. Settings are 80, 85,
The XL2 features
Letterbox,
viewfinder
side,
as
as
well
be shifted from side-to-
can
well
as
the viewfinder
as
displays 16:9
full screen 4:3. The
front to back. Best of all,
easily converts to a fully
functional 2" LCD monitor.
the side
grip
as
zoom
well
Custom
controls
as
on
both
the carrying
handle. On the side grip, choose from
variable zoom (pressure controlled) or
one
of 16 constant
zoom
You
Keys
assign frequently used functions
to two easily accessible buttons, allowing
the XL2 to better match your shooting
preferences or environment.
can
speeds.
90, 95, and 100 IRE.
EVF DISPLAY
Custom Presets
Durable
Each of three custom presets can
The XL2,
assigned
any one
be
number of func¬
of a
tions, accessible at the touch of
for faster and easier
CUSTOM PRESET
CUSTOM KEYS
SELECT
Operation
Within moments of
putting
the XL2 to work, it's
logi¬
cally-designed controls
will have you
with its
button,
operation.
These presets can be transferred to another
XL2 using the IEEE1394 connection.
camera
ON/OFF
Intuitive
a
Design
designed for extensive field use,
features a chassis mounted on a single
durable magnesium alloy frame, providing
protection from external shock. A dust
gasket on the tape door offers added
protection.
"at home"
operation.
The Canon XL2.
Designed to bring out your professional side. Outstanding
Recording Options
Audio Control
The XL2's Clear Scan feature is
The XL2 has individual
to record a
image quality. Remarkable image control. Interchangeable lenses.
Selectable aspect
ratio. Selectable frame rates. On-camera XLR and BNC
Maxi
axirmze.
the Performance
connectors. 4 channel
SMPTE time code. An
The list goes on.
independent audio control.
outstanding design.
The Canon XL2 is ready for you.
equipment without displaying
band
can
or
designed
computer CRT screen or similar
flicker
on
the
screen.
a
black
The
camera
adjust shutter speeds, allowing
perfectly match the CRT's
Interval Timer
can
be
The
programmed to record
at various intervals for
time. This is time
scan rate.
you to
varying amounts of
Professional Features
gain controls for
each of the 4 audio channels.
Along with
the
to automatic or manual level
on
recording,
select different
inputs and attenuation.
The audio level
can
be monitored in the
generate SMPTE color bars,
camera can
record
a
top of that,
SMPTE time code
the tape
run, user
(drop, non-drop, rec run, free
bit). For specialized applications
the date and time
can
be burned onto the
by the built-in VU meters. There is
S-video terminals.
a
head¬
toring the audio when recording or playback.
minutes; 10 minutes. Set recording
XLR Audio
Advanced Viewfinder
Settings
Inputs
seconds; 2.0 seconds. When specific
accessories
compatible with the Advanced
The XL2 has two built-in
Accessory Shoe are attached, the XL2 can
XLR connectors
exchange data with them and supply
camera
power
directly to them. These accessories
include the VL-3 Video
Flash
Light, VFL-1 Video
Light (only light is functional
on
XL2), DM-50 Directional Microphone,
well
can
lKHz reference tone. On
video. The XL2 also has BNC, RCA, and
Set intervals include: 30 seconds; 1 minute;
1.5
a
viewfinder and the side of the camcorder
phone terminal with level control for moni¬
times include: 0.5 second; 1.0 second;
and
these controls, there are various switches
lapse motion videography.
5
The XL2
as
the MA-300
connector
microphones.
high-enti
equipment. For more creative
con¬
the
trol, Canon offers the optional MA-300
as
Microphone Adapter, with two additional
Microphone Adapter
that lets you connect two
the
body for profes¬
sional and
audio
on
additional XLR
XLR connectors.
The XL2's viewfinder has three indicators
which
light up to alert you of vital cam¬
corder
settings and operations (Shutter,
Rec, Gain). In addition, all viewfinder display
information
with
a
can
be removed,
providing you
clear, unobstructed viewing
area.
American Cinematographer - September 2004
Table of Contents for the Digital Edition of American Cinematographer - September 2004
American Cinematographer - September 2004 - 1
American Cinematographer - September 2004 - 2
American Cinematographer - September 2004 - 3
American Cinematographer - September 2004 - 4
American Cinematographer - September 2004 - 5
American Cinematographer - September 2004 - 6
American Cinematographer - September 2004 - 7
American Cinematographer - September 2004 - 8
American Cinematographer - September 2004 - 9
American Cinematographer - September 2004 - 10
American Cinematographer - September 2004 - 11
American Cinematographer - September 2004 - 12
American Cinematographer - September 2004 - 13
American Cinematographer - September 2004 - 14
American Cinematographer - September 2004 - 15
American Cinematographer - September 2004 - 16
American Cinematographer - September 2004 - 17
American Cinematographer - September 2004 - 18
American Cinematographer - September 2004 - 19
American Cinematographer - September 2004 - 20
American Cinematographer - September 2004 - 21
American Cinematographer - September 2004 - 22
American Cinematographer - September 2004 - 23
American Cinematographer - September 2004 - 24
American Cinematographer - September 2004 - 25
American Cinematographer - September 2004 - 26
American Cinematographer - September 2004 - 27
American Cinematographer - September 2004 - 28
American Cinematographer - September 2004 - 29
American Cinematographer - September 2004 - 30
American Cinematographer - September 2004 - 31
American Cinematographer - September 2004 - 32
American Cinematographer - September 2004 - 33
American Cinematographer - September 2004 - 34
American Cinematographer - September 2004 - 35
American Cinematographer - September 2004 - 36
American Cinematographer - September 2004 - 37
American Cinematographer - September 2004 - 38
American Cinematographer - September 2004 - 39
American Cinematographer - September 2004 - 40
American Cinematographer - September 2004 - 41
American Cinematographer - September 2004 - 42
American Cinematographer - September 2004 - 43
American Cinematographer - September 2004 - 44
American Cinematographer - September 2004 - 45
American Cinematographer - September 2004 - 46
American Cinematographer - September 2004 - 47
American Cinematographer - September 2004 - 48
American Cinematographer - September 2004 - 49
American Cinematographer - September 2004 - 50
American Cinematographer - September 2004 - 51
American Cinematographer - September 2004 - 52
American Cinematographer - September 2004 - 53
American Cinematographer - September 2004 - 54
American Cinematographer - September 2004 - 55
American Cinematographer - September 2004 - 56
American Cinematographer - September 2004 - 57
American Cinematographer - September 2004 - 58
American Cinematographer - September 2004 - 59
American Cinematographer - September 2004 - 60
American Cinematographer - September 2004 - 61
American Cinematographer - September 2004 - 62
American Cinematographer - September 2004 - 63
American Cinematographer - September 2004 - 64
American Cinematographer - September 2004 - 65
American Cinematographer - September 2004 - 66
American Cinematographer - September 2004 - 67
American Cinematographer - September 2004 - 68
American Cinematographer - September 2004 - 69
American Cinematographer - September 2004 - 70
American Cinematographer - September 2004 - 71
American Cinematographer - September 2004 - 72
American Cinematographer - September 2004 - 73
American Cinematographer - September 2004 - 74
American Cinematographer - September 2004 - 75
American Cinematographer - September 2004 - 76
American Cinematographer - September 2004 - 77
American Cinematographer - September 2004 - 78
American Cinematographer - September 2004 - 79
American Cinematographer - September 2004 - 80
American Cinematographer - September 2004 - 81
American Cinematographer - September 2004 - 82
American Cinematographer - September 2004 - 83
American Cinematographer - September 2004 - 84
American Cinematographer - September 2004 - 85
American Cinematographer - September 2004 - 86
American Cinematographer - September 2004 - 87
American Cinematographer - September 2004 - 88
American Cinematographer - September 2004 - 89
American Cinematographer - September 2004 - 90
American Cinematographer - September 2004 - 91
American Cinematographer - September 2004 - 92
American Cinematographer - September 2004 - 93
American Cinematographer - September 2004 - 94
American Cinematographer - September 2004 - 95
American Cinematographer - September 2004 - 96
American Cinematographer - September 2004 - 97
American Cinematographer - September 2004 - 98
American Cinematographer - September 2004 - 99
American Cinematographer - September 2004 - 100
American Cinematographer - September 2004 - 101
American Cinematographer - September 2004 - 102
American Cinematographer - September 2004 - 103
American Cinematographer - September 2004 - 104
American Cinematographer - September 2004 - 105
American Cinematographer - September 2004 - 106
American Cinematographer - September 2004 - 107
American Cinematographer - September 2004 - 108
American Cinematographer - September 2004 - 109
American Cinematographer - September 2004 - 110
American Cinematographer - September 2004 - 111
American Cinematographer - September 2004 - 112
American Cinematographer - September 2004 - 113
American Cinematographer - September 2004 - 114
American Cinematographer - September 2004 - 115
American Cinematographer - September 2004 - 116
American Cinematographer - September 2004 - 117
American Cinematographer - September 2004 - 118
American Cinematographer - September 2004 - 119
American Cinematographer - September 2004 - 120
American Cinematographer - September 2004 - 121
American Cinematographer - September 2004 - 122
American Cinematographer - September 2004 - 123
American Cinematographer - September 2004 - 124
American Cinematographer - September 2004 - 125
American Cinematographer - September 2004 - 126
American Cinematographer - September 2004 - 127
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com