American Cinematographer - September 2004 - 58

that

Nair's

trust

in

Quinn

is

complete. "Mira's level of trust in me
is high when it comes to lighting
choices and

camera

movement,"

Quinn acknowledges, "but she's also
able

to

communicate

Quinn

spies
high
society
through his
on

camera

of

choice.

quite clearly

what she wants. She does that for the
and cast at the

beginning of
which helps a lot. Our
relationship gets better each time we
work together."
■
crew

every scene,

TECHNICAL SPECS

Super 35mm 2.35:1
he would do

a

first take and Becker

lot," he adds. "Klemens added good-

would watch the monitor. Then

humored

Becker would

kept the

jump back in and
repeat and refine the shot. "Mira
wants you to discover something in
the framing," says Quinn.
"I enjoyed the camera crew a

leadership and always

smiling. And
[B-camera operator] Jay J. Odedra
was always discovering new images

Arricam ST, LT; Arri 435

Cooke and

Angenieux lenses

camera crew

Kodak Vision2 500T 5218
Printed

for us."

on

Kodak Vision 2383

After five films, its safe to say

Panasonic

AJ-MD1200A
DVCPRO® HD/50/25, DVCAM&DV Player with
Available Options DVCPRO HD Recording and/or IEEE 1394 Interface Options Boards
Ideal for use with Apple's Final Cut Pro HD editing system or equivalent
*

Light weight and D.C.-powered operation permit in-field HD editing and viewing

Variable Frame Rate 16:9 HD Cinema"*
Camera with CineGamma"* Software.

How Available for Rental

or

Purchase at FVESCO

800 South Jason St

Film/Video

H§j[(i Equipment Service
Company, Inc.
www.fvesco.com

VariCam® AJ-UDC27F

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fvesco@fvesco.com

Denver, CO 80223
303-778-8616

Rentals

*

Sales

*

Service

FAX 303-778-8657

800-776-8616

45



American Cinematographer - September 2004

Table of Contents for the Digital Edition of American Cinematographer - September 2004

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