American Cinematographer - September 2004 - 63

Kick-Starting a Revolution
After their

rickety Norton
500 bike breaks

down, Ernesto
and Alberto are

forced to
continue their

journey

on

water. All

the

foot

on

and

the

told,

production

shot in

more

than 30

locations.

traits

were

Peruvian

inspired by the work of
photographer Martin

Chambi, who took the camera out
of the studio and into the streets in
the 1920s. The filmmakers studied

only Chambi's photos, but also
pictures Guevara shot on the trip he
took with Granado and pictures he
not

shot

on

a

second cross-continent

trip in 1954. Gautier says the film¬
makers weren't trying to replicate
any photos; instead, they were sim¬

ply inspired by their spirit. None of
portrait shots was staged, and
most required only a single take.
Perhaps the most startling
portrait is of a man standing next to
a horse.
They are both absolutely
still, but suddenly, the horse turns
the

feet in front of
for the

ly

we

hooves
man

We

We

waiting
fog to dissipate, and sudden¬
heard the echo of a horse's
as

us.

were

it walked toward

That

us.

just materialized in front of us.

barely spoke - I asked his

mission

to

his head and the man's eyes seem to
a smile. Salles recalls that

agreed."

day very well: "We were filming in
Argentina. It was the end of the day
and so misty we could barely see 100

sequence

crinkle into

film his

Gautier is also

involving

per¬

portrait, and he

a

pleased with a
husband and

wife, both miners, whom Guevara
and

Granado

meet

after

their

motorcycle breaks down in Chile.
are
sitting around
a campfire in the desert,
talking. "I
imagined there was no moon that
night, only the firelight," says the
cinematographer. "The actors were
sitting very close to the fire, and we
were
shooting through the flames.
The four of them

You

can

see

their faces and the

flames

flickering across them, but
nothing beyond that, just utter
darkness. There is such an intimacy
between them."
The

next scene

and the male miner

ders in the hot

finds Guevara

sitting on boul¬

sun as a man

hires

day workers from a group of about
40 men. Working in extremely dry
50

September 2004



American Cinematographer - September 2004

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