American Cinematographer - September 2004 - 82

he had been instructed to do

-

and

fire,

matter

blazing
effects

I

of seconds, all the guns were

tors to

crew

-

the

before

"blood." Most of the fishermen

this disaster under control

but it

was

useless.

Everyone's attempts to try to bring

were

were

swallowed up

by this time, some
thrashing and "drowning," others
floating face down, "dead."
One of the American assistant

by the ear-shattering,
crackling gunfire; the noise, clamor
and confusion of squibs going off;
the anguished screams of "dying"

directors, realizing what was happen¬

samurai, and the cheers of the victo¬

ing and what the implications were,
was frantically screaming into his

rious

bullhorn: "No,

the

But it

was

no,

to no

don't fire, no, no!"

avail. In the din of

gunfire and the crackle of exploding
squibs, his words might have even
aggravated the situation, because to
the Japanese extras, "No, no, don't

ones.

It

was

almost comical

Los

Angeles: ph 818.781.3003, fx 818.782.4070

Asia Pacific: 408.209.5353

*

to

see

actors acting up a storm, just as
they had rehearsed the scene, as
Toronaga's boat headed for and
smashed through the barricade of
fishing boats. The water was churn¬
ing with "dying," "drowning" samu¬

VISION Products
*

*

and "dead" samurai,
still

some

of who

Academy
Award-caliber
performances.
Standing next to our speechless,
flabbergasted director, Jerry London,
I surveyed the carnage and knew
were

carrying

on

that it would be weeks before this
could be made ready again for
filming. For that night, the filming
was definitely a wrap.
n
scene

Excerpted from It's A Wrap! ©2004
The ASC Press. All rights reserved.
For more information about the
book,

visit

the

ASC

Store

at

www.theasc.com.

for Creative Minds

www.coptervision.com * e-mail: info@coptervision.com

Canada: 604.296.2622

COPTcR

floating

gentle swells, and the rescue
were
heading out into the bay
rescue the "bleeding,"
"drowning"

to

us,

bodies

the

switch

on

"dead"

amongst the wreckage of this fiasco.
The Spanish galleon at anchor rode
boats

camera opera¬
the cameras and

gunfire - and set off the charges
that splintered the fishing boats and
the hits spurting the fishermen's
in the water

and

rai

yelled to the

grab (photograph) whatever they
could, hoping to salvage at least
some of the
imagery unfolding

The Japanese special-

also took their cue

they only understood the

words "fire" and "now."

a

away.

no!" might have sounded
now, don't fire, now,

now!" and

-

then another and another, and in

no,

like "Now,

understanding the rest of the
conversation
fired his gun. Almost
immediately, another samurai fired,
not

Japan: +8 1.354 18.5 I 5 I
R LL
* PH TO
*

*

Mexico: +5255.5286.6046



American Cinematographer - September 2004

Table of Contents for the Digital Edition of American Cinematographer - September 2004

American Cinematographer - September 2004 - 1
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