American Cinematographer - September 2004 - 85

A Man of Many

Hats

Right: In addition
to shooting In
Which We Serve

(1942), Neame
also

collaborated
the

on

screenplay
with editor

David Lean and
director Noel

Coward. The
film, based on
the

sinking of
Kelly,

the HMS

features John

(holding
cup) and Coward
Mills

in

a

wartime tale

of British naval
heroism. Below:
Neame

(left) and
Lean

collaborated

on

several of the
British cinema's

greatest films.

thousand in their pocket.
"Having gotten their British
product, [the theaters] ran them at 8
o'clock in the morning, when the
cleaners were there, and again at 9:30
a.m., when the theater was open but
nobody was there. After running the
films twice, the managers put them
in the back of the projection box, and
then they ran the American product!
So these 'quota quickies' did fill 20
percent of the screen time, but in
another sense they were never really
put a

shown. However, I learned to be a

very

fast

cameraman

because of

we

started

make

to

them, and although they weren't

films. But Balcon

good, the training for me was
probably photographed
25 to 30 pictures in three to four
years, and due to that experience, I
felt I really knew my job. They were
great days, and in a way they were
part of the golden days of the British
cinema; we were making pictures
one after another, and then they
started to improve. Ealing Pictures
[and people like] Sir Michael Balcon
started to spend more money, and

had

wonderful. I

a

every

Union

truly British

went too

far

-

he

Jack added to the end of

film to indicate that it was a
project, and since Americans

British

didn't like British films, that didn't

much!"
quickies" provided
training that Neame might not

help

us very

The "quota

a

otherwise have had, because before
these efficient

"sausages" provided a
steady stream of work, there were
few
opportunities for British
cameramen

"We had

a

in the London studios.

lot of American

camera¬

Harry Stradling [ASC]
Up until the beginning
of the war, any really big, important
picture by an American company
coming to England would have an
men

over,

and others.

American cameraman, because
were

far

were

and

more

they
experienced than we

most

of them had worked

big Hollywood pictures with big
If British producers were
making big films - like Pygmalion
[1939], produced by Gabriel Pascal
they would use American

on

stars.

-

72

September 2004

cameramen

as

resentment

on

well. There
our

part,

was

no

though.



American Cinematographer - September 2004

Table of Contents for the Digital Edition of American Cinematographer - September 2004

American Cinematographer - September 2004 - 1
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