American Cinematographer - September 2004 - 94
im my
the digital color space
displaced more toward
the red of the film color space, with¬
out displacing the other colors
nearby. This kind of thing is impos¬
'hiah^
oranges in
should be
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"What's pleasant about the
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more
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in the image. What's unpleasant is
that the image quality is soft because
it lacks definition." Although the
digital-proxy
projection
was
remarkably close to 35mm, Dreujou
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or
Jean-Marie
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noticed
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and saturation. "We found
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subtle differences in
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pher. "Also, we ended up with some¬
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81
American Cinematographer - September 2004
Table of Contents for the Digital Edition of American Cinematographer - September 2004
American Cinematographer - September 2004 - 1
American Cinematographer - September 2004 - 2
American Cinematographer - September 2004 - 3
American Cinematographer - September 2004 - 4
American Cinematographer - September 2004 - 5
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American Cinematographer - September 2004 - 78
American Cinematographer - September 2004 - 79
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American Cinematographer - September 2004 - 89
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American Cinematographer - September 2004 - 127
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