American Cinematographer - September 2004 - 96

35DIGUAL'

digital grading from film grading;
although there are ways to desaturate the image photochemically,
such as ENR, these are complicated
processes.
The two
on

shot

tiger images shown

78 exemplify the hybrid

page

nature

COMPETENCE IN DIGITAL FILM

of Two Brothers. The wider
filmed in HD, while the

was

close-up

was

filmed in 35mm. Both

shots contain virtual CGI elements:
in the wide

and smoke

shot, some of the flames
virtual, and so is the

are

circle of flames

in the eyes

in the
close-up. Lucas explains, "Here, as
elsewhere,

we

seen

accentuated the color

of the

tiger's fur. We added satura¬
yellowed the image
significantly, but kept the greens of
the vegetation. This could have been
done in classical timing because we
tion overall and

"I think

a

about the

lot

timing

during the shoot.
Usually, I want to

Bridging the gap

reproduce what

between

I have created

Capturing 4"
on

the set."
-

Jean-Marie

Film

Reading#

Digital intermediate #

Dreujou, AFC

Film

Transfer#

Screening#
didn't

use

windows.

"In the

day interior shown

backlight. I brightened the shot and
used a window to darken the people
and the walls. For the image of the
Buddhist woman praying, we added
density and saturation to an image
that was shot during the day to
create more of a dusk feeling. In the
we

used

Revolutionary film transfer technology!
At IBC, 35 Digital introduces revolutionary
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professional film production and post¬
production, The product range of the new
35 Digital Alliance represents a total solution
covering the process from capturing the
image on the set via post-production and
completion of the print release to screening
for

here," he continues, "we redid the

interior,

analogue & digital film

windows

in

a

theater,

Meet

us

Kinoton is

at IBC in

Amsterdam, booth 11.331

additionally represented at booth 6,100

r\

to

Tools for

a

35DIGITAL'

digital workflow

brighten some shadows and warm
up her face and the area behind the
bamboo. We used windows in about

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fi Kinoton

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TECHNIK®



American Cinematographer - September 2004

Table of Contents for the Digital Edition of American Cinematographer - September 2004

American Cinematographer - September 2004 - 1
American Cinematographer - September 2004 - 2
American Cinematographer - September 2004 - 3
American Cinematographer - September 2004 - 4
American Cinematographer - September 2004 - 5
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American Cinematographer - September 2004 - 125
American Cinematographer - September 2004 - 126
American Cinematographer - September 2004 - 127
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