American Cinematographer - December 2004 - 116
used for tasks
ranging from cleaning up
an interview marred by a cell-phone ring
to heightening the impact of a profes¬
sionally recorded session.
The
enables
new
users
Pitch Correction tool
to fix
off-pitch vocal
performances and create pitch-based
special effects. Cleaning up audio is easy
with the Automatic Click/Pop Eliminator,
and the
new
Center Channel Extractor
adjusts the relative volumes of vocals
and instruments in
also adds
more
a
mix. Audition 1.5
than 500
new
royalty-
Premiere Pro 1.5
imported with AVI
movies, and support has been added for
a wide range of video formats.
A new CD Project View makes it
easy to burn discs and check projects, or
produce finished audio CDs. Using the
new Clip Time Stretching feature, users
can visually drag the edge of any audio
clip in the Multitrack View to fit a specific
length of time without affecting pitch.
Customizable preroll
and postroll
previews allow users to listen to their
are
free
audio with ReWire makes Audition 1.5 a
Computer system requirements
(though a
single 3.06MHz Pentium 4 or multi¬
processor is recommended), Windows XP
good host for ReWire-enabled applica¬
tions, such as Propellerhead Reason.
VST plug-in support makes thousands of
third-party effects available to Audition
users, who can easily share VST effects
with Adobe Premiere Pro
users.
Video
support in Audition has also been
enhanced
-
video
filmstrips
appear
in
The
or
price is $1,499.
(After Effects 6.5 Standard, no Photoshop
CS) is $999. Owners of the previous
version of the Video Collection 1.5
Professional and Standard editions
1, 256MB RAM to
run any one
tion
or more
upgrade for $249. Each application can
individually upgraded.
For
more
information,
visit
■
Submissions for New Products & Services
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Jay Holben at 1782 N. Orange Dr.,
Hollywood, CA 90028. Please include any
images and full contact information with
submission. Information may also be e-mailed
to jay@ascmag.com with attached images
(minimum resolution of 300 dpi). Images may be
Editor
applica¬
is recom¬
mended), 1.8GB of available hard-disk
space for application install, 10.5GB or
larger hard disk or array for media work,
1280x1024 32-bit color video display
adapter with 16MB or more of VRAM
HAPPY HOLIDAYS
can
also be
Professional with Service Pack
(though 1GB
Collection
Video
The Video Collection Standard edition
include Pentium III 800 MHz
Home
Adobe
Professional edition retail
www.adobe.com.
edits in context.
production music loops - now
totaling more than 5,000 - as well as
20 sample sessions.
New support for transferring
(dual monitors and Open GL card recom¬
mended), Apple QuickTime 6.5 recom¬
mended (not included).
the Multitrack View, markers from Adobe
sent as
color slides, color or black-and-white
prints, or digital files (Mac Photoshop TIFF
format, 300 dpi) on CD. Materials will not be
returned without a self-addressed, stamped
envelope.
May Peace, Joy, Hope and Happiness
be yours during this Holiday Season
and throughout the New Year
student ilmmakers.com
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American Cinematographer - December 2004
Table of Contents for the Digital Edition of American Cinematographer - December 2004
American Cinematographer - December 2004 - 1
American Cinematographer - December 2004 - 2
American Cinematographer - December 2004 - 3
American Cinematographer - December 2004 - 4
American Cinematographer - December 2004 - 5
American Cinematographer - December 2004 - 6
American Cinematographer - December 2004 - 7
American Cinematographer - December 2004 - 8
American Cinematographer - December 2004 - 9
American Cinematographer - December 2004 - 10
American Cinematographer - December 2004 - 11
American Cinematographer - December 2004 - 12
American Cinematographer - December 2004 - 13
American Cinematographer - December 2004 - 14
American Cinematographer - December 2004 - 15
American Cinematographer - December 2004 - 16
American Cinematographer - December 2004 - 17
American Cinematographer - December 2004 - 18
American Cinematographer - December 2004 - 19
American Cinematographer - December 2004 - 20
American Cinematographer - December 2004 - 21
American Cinematographer - December 2004 - 22
American Cinematographer - December 2004 - 23
American Cinematographer - December 2004 - 24
American Cinematographer - December 2004 - 25
American Cinematographer - December 2004 - 26
American Cinematographer - December 2004 - 27
American Cinematographer - December 2004 - 28
American Cinematographer - December 2004 - 29
American Cinematographer - December 2004 - 30
American Cinematographer - December 2004 - 31
American Cinematographer - December 2004 - 32
American Cinematographer - December 2004 - 33
American Cinematographer - December 2004 - 34
American Cinematographer - December 2004 - 35
American Cinematographer - December 2004 - 36
American Cinematographer - December 2004 - 37
American Cinematographer - December 2004 - 38
American Cinematographer - December 2004 - 39
American Cinematographer - December 2004 - 40
American Cinematographer - December 2004 - 41
American Cinematographer - December 2004 - 42
American Cinematographer - December 2004 - 43
American Cinematographer - December 2004 - 44
American Cinematographer - December 2004 - 45
American Cinematographer - December 2004 - 46
American Cinematographer - December 2004 - 47
American Cinematographer - December 2004 - 48
American Cinematographer - December 2004 - 49
American Cinematographer - December 2004 - 50
American Cinematographer - December 2004 - 51
American Cinematographer - December 2004 - 52
American Cinematographer - December 2004 - 53
American Cinematographer - December 2004 - 54
American Cinematographer - December 2004 - 55
American Cinematographer - December 2004 - 56
American Cinematographer - December 2004 - 57
American Cinematographer - December 2004 - 58
American Cinematographer - December 2004 - 59
American Cinematographer - December 2004 - 60
American Cinematographer - December 2004 - 61
American Cinematographer - December 2004 - 62
American Cinematographer - December 2004 - 63
American Cinematographer - December 2004 - 64
American Cinematographer - December 2004 - 65
American Cinematographer - December 2004 - 66
American Cinematographer - December 2004 - 67
American Cinematographer - December 2004 - 68
American Cinematographer - December 2004 - 69
American Cinematographer - December 2004 - 70
American Cinematographer - December 2004 - 71
American Cinematographer - December 2004 - 72
American Cinematographer - December 2004 - 73
American Cinematographer - December 2004 - 74
American Cinematographer - December 2004 - 75
American Cinematographer - December 2004 - 76
American Cinematographer - December 2004 - 77
American Cinematographer - December 2004 - 78
American Cinematographer - December 2004 - 79
American Cinematographer - December 2004 - 80
American Cinematographer - December 2004 - 81
American Cinematographer - December 2004 - 82
American Cinematographer - December 2004 - 83
American Cinematographer - December 2004 - 84
American Cinematographer - December 2004 - 85
American Cinematographer - December 2004 - 86
American Cinematographer - December 2004 - 87
American Cinematographer - December 2004 - 88
American Cinematographer - December 2004 - 89
American Cinematographer - December 2004 - 90
American Cinematographer - December 2004 - 91
American Cinematographer - December 2004 - 92
American Cinematographer - December 2004 - 93
American Cinematographer - December 2004 - 94
American Cinematographer - December 2004 - 95
American Cinematographer - December 2004 - 96
American Cinematographer - December 2004 - 97
American Cinematographer - December 2004 - 98
American Cinematographer - December 2004 - 99
American Cinematographer - December 2004 - 100
American Cinematographer - December 2004 - 101
American Cinematographer - December 2004 - 102
American Cinematographer - December 2004 - 103
American Cinematographer - December 2004 - 104
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American Cinematographer - December 2004 - 111
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