American Cinematographer - June 2005 - 79

Harry Potter & the Goblet of Fire
Harry Potter & the Prisoner of Azkaban
Harry Potter & the Chamber of Secrets
Elektra

time, you're ahead of the game, but if

have to set up a close-up, it's
going to have the same
energy."
That energy is an essential
ingredient in the picture, he adds.
"The action scenes always look very
convincing because everyone is in
there doing it. All the actors were very
able and quite up for it. I was looking
at [some footage] today, and I
noticed Band-Aids on fingers where
things kind of missed!"
Because part of the siege
occurs at
night, major lighting was
also required. As Finch recalls, "We
were told, 'Don't
worry, the night
stuff is all montage. We'll do little bits
in the courtyard of soldiers waiting
for the attack.' Then we get out there,

Van

Helsing
Scooby Doo "

you

Mission Impossible4?
A Beautiful Min

never

and Rid

wants to see

which is

a

Saladin's tent,

half mile down the desert,
the walls of Jerusalem, and the desert
in between!" Finch had
two

arranged for
Wendy Lights (with 128 650-

watt

bulbs) to act as the overall
and he sent for a third as

source,

Scott's

vision

expanded.

Mathieson, "I wanted to

use

Adds
tung¬

night because there
burning, and HMIs
are too blue to mix with
[firelight]."
Keylights for close-ups were
soft IK and 2K Zip lights, and flick¬
ering firelight was constantly in the
background. "We put in as much
natural light as we could," says Finch.
The ubiquitous candles, braziers,
sten sources at

was a

lot of fire

lanterns and bonfires

were

enhanced

by Nine-light Maxi-Brutes wired
to Magic Gadgets Shadowmakers,
which feature three isolated dimmer
circuits. "The

Nine-light flickers a lot

better than the

10K," Mathieson
observes, "because the 10K bulb
takes

long time to come up in
long time to dim
down, so you don't get a really good
flicker effect." A variety of gels -
Cosmetic Highlights, Straws, Light
a

temperature and a

Ambers, Vi and Vi CTO and Vs
Minus

Green

enhance the

-

were

used

to

firelight effect.
Augmenting the extensive prac-

007 Die Another
007 The World is no*
007

Flying-Cam USA
usa@flying-cam.com

Flying-Cam EUROPE

Flying-Cam ASIA

europe@flying-cam.com

asia@fiying-cam.com

Tel: f 310 S81 9278

Tel: 32 4 227 3103

Tel: 852 9157 5022

f I y

frtmnfmnl

F L Y / NG

CAM



American Cinematographer - June 2005

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