American Cinematographer - January 2006 - 99

CINEM4TG£mYi
electronics

Apple computers.
Although many run the system on a
laptop, Kodak recommends the use of a
customers

use

separate, high-quality monitor. McLachlan estimates that he spent about

EXTENSION TUBES NARROW THE FIELD

$6,000 to upgrade his laptop and buy a
Nikon D70 and LaCie monitor so he
could

use

the system.

Finding

a way to
the production workflow
to

fit KLMS into
-

and

a way

persuade producers to pay for it - is

still

a work in progress, and cinematog¬
raphers
have
taken
different
approaches. Gabriel Beristain, ASC,
BSC takes photos of his own but likes to

have

a

dedicated technician who takes

additional

shots,

KLMS and

runs

Available
Barbizon

to accommodate

involved

with

his request,

The Invisible

When the workload proved too much,
another camera assistant was hired.

Armstrong keeps his cart on the set so
that Beristain can quickly check his
work. "Some people have done tests
with the cart located in the truck," says

Armstrong, "but I find it's more conve¬
nient for Gabby to walk two steps from
the video village."
Other

cinematographers are
taking all of their own photos and doing
their look experiments themselves -
often after they finish a long day of
shooting. "It's extremely difficult to get
any production to pay for anything
extra," notes Stephen Goldblatt, ASC,
BSC, who used Look Manager on Closer
(see AC Dec. '04) and Rent(ACH ov. '05).
"Also, you've got to do the work. I
suppose someone else could take the
stills, but they wouldn't be getting what
you're interested in."
Like

Goldblatt,

Mason

and

McLachlan shoot and manipulate their
stills. "I love getting in there at

night and timing all the stills," says
Mason. "It really teaches me, especially
these days, when you don't get film
dailies. This gives you a chance to study
your shots, work out what you're doing,
and time the image."

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offers three highly selective MFA programs:

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won:

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Student Academy Awards for Best Dramatic Film
and Best Documentary
College Television Award for Best Comedy
numerous

KCET Fine Cut Film Festival awards

Student films have

appeared at Telluride, Sundance, Palm
Springs and other major film festivals around the world.

campus is in
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centers

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entertainment
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own

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post facilities. Although Beristain was

initially wanted his technician, Max
Armstrong, to work as a loader as well.

Armstong

A

able to

persuade the producers of The

PH

(Six and three-light models)
in New York & New

Sentinel

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Admission is limited.

at



American Cinematographer - January 2006

Table of Contents for the Digital Edition of American Cinematographer - January 2006

American Cinematographer - January 2006 - 1
American Cinematographer - January 2006 - 2
American Cinematographer - January 2006 - 3
American Cinematographer - January 2006 - 4
American Cinematographer - January 2006 - 5
American Cinematographer - January 2006 - 6
American Cinematographer - January 2006 - 7
American Cinematographer - January 2006 - 8
American Cinematographer - January 2006 - 9
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