American Cinematographer - February 2006 - 40
The Price of Revenge
Top: The squad's
bomb-maker,
Robert
(Mathieu
Kassovitz),
plants an
explosive device
in the home
phone of a
target. Middle:
The
carefully
planned hit
nearly goes awry
when the target's
young daughter
unexpectedly
returns to her
family's
apartment.
Bottom:
Realizing the girl
has
come
home,
Avner scrambles
to spare
her life.
look
a
little sad
-
I used it when
shot the Palestinian
refugee
we
camps,
and I also used it for sequences
of
Israeli officials, because both
sides are kind of sad." Another
some
notable
bleach-bypass
sequence
shows the Mossad team,
posing as
European terrorists, spending the
night with Palestinian terrorists in a
safe house.
Release
also
prints of Munich were
treated
with
Technicolor's
patented ENR process (at an IR level
of 65-75), and with the picture's final
color timing and ENR application in
mind,
the
production
flew
Technicolor Los Angeles timer Dale
Grahn, a longtime collaborator of
Kaminski's, to Europe during prep
to
consult with Eclair colorist Yvan
Lucas and Technicolor London color
timer Huw
Phillips. Grahn describes
bleach-bypass look as "whitish
and stressed
when you look at it,
you feel a little uneasy. White high¬
lights are blown out in the back¬
ground, and the blacks are really
rich." The bleach-bypass negative
was
pull-processed by IV2 stops to
mitigate the extreme contrast, he
adds. "With bleach bypass and ENR,
you can't control the colors well,"
notes Kaminski. "The image gets
the
-
kind of weird, but it looks like the
Seventies. The colors aren't very
clean
-
orange is more like brown,
and blue is either blue-green or blue-
purple. Munich is not a soft, beauti¬
fully lit movie, and occasionally the
lighting is really unflattering. There's
a lot of texture, a lot of grain. It's
almost ugly, but I think that's right
for the story."
A hallmark of Spielberg's style
is a dynamic camera that moves in
concert
with the
action, and
actors
and the
Munich Kaminski
added a zoom lens, a Cooke 25250mm, to his standard repertoire.
on
"We started with the desire to
create
slightly documentary style, but
somehow we drifted into complex
staging. We have some very compli¬
cated camera moves; we dolly and
a
38
February 2006
American Cinematographer - February 2006
Table of Contents for the Digital Edition of American Cinematographer - February 2006
American Cinematographer - February 2006 - 1
American Cinematographer - February 2006 - 2
American Cinematographer - February 2006 - 3
American Cinematographer - February 2006 - 4
American Cinematographer - February 2006 - 5
American Cinematographer - February 2006 - 6
American Cinematographer - February 2006 - 7
American Cinematographer - February 2006 - 8
American Cinematographer - February 2006 - 9
American Cinematographer - February 2006 - 10
American Cinematographer - February 2006 - 11
American Cinematographer - February 2006 - 12
American Cinematographer - February 2006 - 13
American Cinematographer - February 2006 - 14
American Cinematographer - February 2006 - 15
American Cinematographer - February 2006 - 16
American Cinematographer - February 2006 - 17
American Cinematographer - February 2006 - 18
American Cinematographer - February 2006 - 19
American Cinematographer - February 2006 - 20
American Cinematographer - February 2006 - 21
American Cinematographer - February 2006 - 22
American Cinematographer - February 2006 - 23
American Cinematographer - February 2006 - 24
American Cinematographer - February 2006 - 25
American Cinematographer - February 2006 - 26
American Cinematographer - February 2006 - 27
American Cinematographer - February 2006 - 28
American Cinematographer - February 2006 - 29
American Cinematographer - February 2006 - 30
American Cinematographer - February 2006 - 31
American Cinematographer - February 2006 - 32
American Cinematographer - February 2006 - 33
American Cinematographer - February 2006 - 34
American Cinematographer - February 2006 - 35
American Cinematographer - February 2006 - 36
American Cinematographer - February 2006 - 37
American Cinematographer - February 2006 - 38
American Cinematographer - February 2006 - 39
American Cinematographer - February 2006 - 40
American Cinematographer - February 2006 - 41
American Cinematographer - February 2006 - 42
American Cinematographer - February 2006 - 43
American Cinematographer - February 2006 - 44
American Cinematographer - February 2006 - 45
American Cinematographer - February 2006 - 46
American Cinematographer - February 2006 - 47
American Cinematographer - February 2006 - 48
American Cinematographer - February 2006 - 49
American Cinematographer - February 2006 - 50
American Cinematographer - February 2006 - 51
American Cinematographer - February 2006 - 52
American Cinematographer - February 2006 - 53
American Cinematographer - February 2006 - 54
American Cinematographer - February 2006 - 55
American Cinematographer - February 2006 - 56
American Cinematographer - February 2006 - 57
American Cinematographer - February 2006 - 58
American Cinematographer - February 2006 - 59
American Cinematographer - February 2006 - 60
American Cinematographer - February 2006 - 61
American Cinematographer - February 2006 - 62
American Cinematographer - February 2006 - 63
American Cinematographer - February 2006 - 64
American Cinematographer - February 2006 - 65
American Cinematographer - February 2006 - 66
American Cinematographer - February 2006 - 67
American Cinematographer - February 2006 - 68
American Cinematographer - February 2006 - 69
American Cinematographer - February 2006 - 70
American Cinematographer - February 2006 - 71
American Cinematographer - February 2006 - 72
American Cinematographer - February 2006 - 73
American Cinematographer - February 2006 - 74
American Cinematographer - February 2006 - 75
American Cinematographer - February 2006 - 76
American Cinematographer - February 2006 - 77
American Cinematographer - February 2006 - 78
American Cinematographer - February 2006 - 79
American Cinematographer - February 2006 - 80
American Cinematographer - February 2006 - 81
American Cinematographer - February 2006 - 82
American Cinematographer - February 2006 - 83
American Cinematographer - February 2006 - 84
American Cinematographer - February 2006 - 85
American Cinematographer - February 2006 - 86
American Cinematographer - February 2006 - 87
American Cinematographer - February 2006 - 88
American Cinematographer - February 2006 - 89
American Cinematographer - February 2006 - 90
American Cinematographer - February 2006 - 91
American Cinematographer - February 2006 - 92
American Cinematographer - February 2006 - 93
American Cinematographer - February 2006 - 94
American Cinematographer - February 2006 - 95
American Cinematographer - February 2006 - 96
American Cinematographer - February 2006 - 97
American Cinematographer - February 2006 - 98
American Cinematographer - February 2006 - 99
American Cinematographer - February 2006 - 100
American Cinematographer - February 2006 - 101
American Cinematographer - February 2006 - 102
American Cinematographer - February 2006 - 103
American Cinematographer - February 2006 - 104
American Cinematographer - February 2006 - 105
American Cinematographer - February 2006 - 106
American Cinematographer - February 2006 - 107
American Cinematographer - February 2006 - 108
American Cinematographer - February 2006 - 109
American Cinematographer - February 2006 - 110
https://www.nxtbook.com/nxtbooks/ac/ac1209
https://www.nxtbook.com/nxtbooks/ac/ac1109
https://www.nxtbook.com/nxtbooks/ac/ac1009
https://www.nxtbook.com/nxtbooks/ac/ac0909
https://www.nxtbook.com/nxtbooks/ac/ac0809
https://www.nxtbook.com/nxtbooks/ac/ac0709
https://www.nxtbook.com/nxtbooks/ac/ac0609
https://www.nxtbook.com/nxtbooks/ac/ac0509
https://www.nxtbook.com/nxtbooks/ac/ac0409
https://www.nxtbook.com/nxtbooks/ac/ac0309
https://www.nxtbook.com/nxtbooks/ac/ac0209
https://www.nxtbook.com/nxtbooks/ac/ac0109
https://www.nxtbook.com/nxtbooks/ac/ac1208
https://www.nxtbook.com/nxtbooks/ac/ac1108
https://www.nxtbook.com/nxtbooks/ac/ac1008
https://www.nxtbook.com/nxtbooks/ac/ac0908
https://www.nxtbook.com/nxtbooks/ac/ac0808
https://www.nxtbook.com/nxtbooks/ac/ac0708
https://www.nxtbook.com/nxtbooks/ac/ac0608
https://www.nxtbook.com/nxtbooks/ac/ac0508
https://www.nxtbook.com/nxtbooks/ac/ac0408
https://www.nxtbook.com/nxtbooks/ac/ac0308
https://www.nxtbook.com/nxtbooks/ac/ac0208
https://www.nxtbook.com/nxtbooks/ac/ac0108
https://www.nxtbook.com/nxtbooks/ac/ac1207
https://www.nxtbook.com/nxtbooks/ac/ac1107
https://www.nxtbook.com/nxtbooks/ac/ac1007
https://www.nxtbook.com/nxtbooks/ac/ac0907
https://www.nxtbook.com/nxtbooks/ac/ac0807
https://www.nxtbook.com/nxtbooks/ac/ac0707
https://www.nxtbook.com/nxtbooks/ac/ac0607
https://www.nxtbook.com/nxtbooks/ac/ac0507
https://www.nxtbook.com/nxtbooks/ac/ac0407
https://www.nxtbook.com/nxtbooks/ac/ac0307
https://www.nxtbook.com/nxtbooks/ac/acbest2006
https://www.nxtbook.com/nxtbooks/ac/ac0207
https://www.nxtbook.com/nxtbooks/ac/ac0107
https://www.nxtbook.com/nxtbooks/ac/ac200612
https://www.nxtbook.com/nxtbooks/ac/ac200611
https://www.nxtbook.com/nxtbooks/ac/ac200610
https://www.nxtbook.com/nxtbooks/ac/ac200609
https://www.nxtbook.com/nxtbooks/ac/ac200608
https://www.nxtbook.com/nxtbooks/ac/ac200607
https://www.nxtbook.com/nxtbooks/ac/ac200606
https://www.nxtbook.com/nxtbooks/ac/ac200605
https://www.nxtbook.com/nxtbooks/ac/ac200604
https://www.nxtbook.com/nxtbooks/ac/ac200603
https://www.nxtbook.com/nxtbooks/ac/ac200602
https://www.nxtbook.com/nxtbooks/ac/ac200601
https://www.nxtbook.com/nxtbooks/ac/ac200512
https://www.nxtbook.com/nxtbooks/ac/ac200511
https://www.nxtbook.com/nxtbooks/ac/ac200510
https://www.nxtbook.com/nxtbooks/ac/ac200509
https://www.nxtbook.com/nxtbooks/ac/ac200508
https://www.nxtbook.com/nxtbooks/ac/ac200507
https://www.nxtbook.com/nxtbooks/ac/ac200506
https://www.nxtbook.com/nxtbooks/ac/ac200505
https://www.nxtbook.com/nxtbooks/ac/ac200504
https://www.nxtbook.com/nxtbooks/ac/ac200503
https://www.nxtbook.com/nxtbooks/ac/ac200502
https://www.nxtbook.com/nxtbooks/ac/ac200501
https://www.nxtbook.com/nxtbooks/ac/ac200412
https://www.nxtbook.com/nxtbooks/ac/ac200411
https://www.nxtbook.com/nxtbooks/ac/ac200410
https://www.nxtbook.com/nxtbooks/ac/ac200409
https://www.nxtbook.com/nxtbooks/ac/ac200408
https://www.nxtbook.com/nxtbooks/ac/ac200407
https://www.nxtbook.com/nxtbooks/ac/ac200406
https://www.nxtbook.com/nxtbooks/ac/ac200405
https://www.nxtbook.com/nxtbooks/ac/ac200404
https://www.nxtbook.com/nxtbooks/ac/ac200403
https://www.nxtbook.com/nxtbooks/ac/ac200402
https://www.nxtbook.com/nxtbooks/ac/ac200401
https://www.nxtbook.com/nxtbooks/ac/ac200312
https://www.nxtbook.com/nxtbooks/ac/ac200311
https://www.nxtbook.com/nxtbooks/ac/ac200310
https://www.nxtbook.com/nxtbooks/ac/ac200309
https://www.nxtbook.com/nxtbooks/ac/ac200308
https://www.nxtbook.com/nxtbooks/ac/ac200307
https://www.nxtbook.com/nxtbooks/ac/ac200306
https://www.nxtbook.com/nxtbooks/ac/ac200305
https://www.nxtbook.com/nxtbooks/ac/ac200304
https://www.nxtbook.com/nxtbooks/ac/ac200303
https://www.nxtbook.com/nxtbooks/ac/ac200302
https://www.nxtbook.com/nxtbooks/ac/ac200301
https://www.nxtbook.com/nxtbooks/ac/ac200212
https://www.nxtbook.com/nxtbooks/ac/ac200211
https://www.nxtbook.com/nxtbooks/ac/ac200210
https://www.nxtbook.com/nxtbooks/ac/ac200209
https://www.nxtbook.com/nxtbooks/ac/ac200208
https://www.nxtbook.com/nxtbooks/ac/ac200207
https://www.nxtbook.com/nxtbooks/ac/ac200206
https://www.nxtbook.com/nxtbooks/ac/ac200205
https://www.nxtbook.com/nxtbooks/ac/ac200204
https://www.nxtbook.com/nxtbooks/ac/ac200203
https://www.nxtbook.com/nxtbooks/ac/ac200202
https://www.nxtbook.com/nxtbooks/ac/ac200201
https://www.nxtbook.com/nxtbooks/ac/ac200112
https://www.nxtbook.com/nxtbooks/ac/ac200111
https://www.nxtbook.com/nxtbooks/ac/ac200110
https://www.nxtbook.com/nxtbooks/ac/ac200109
https://www.nxtbook.com/nxtbooks/ac/ac200108
https://www.nxtbook.com/nxtbooks/ac/ac200107
https://www.nxtbook.com/nxtbooks/ac/ac200106
https://www.nxtbook.com/nxtbooks/ac/ac200105
https://www.nxtbook.com/nxtbooks/ac/ac200104
https://www.nxtbook.com/nxtbooks/ac/ac200103
https://www.nxtbook.com/nxtbooks/ac/ac200102
https://www.nxtbook.com/nxtbooks/ac/ac200101
https://www.nxtbook.com/nxtbooks/ac/ac200012
https://www.nxtbook.com/nxtbooks/ac/ac200011
https://www.nxtbook.com/nxtbooks/ac/ac200010
https://www.nxtbook.com/nxtbooks/ac/ac200009
https://www.nxtbook.com/nxtbooks/ac/ac200008
https://www.nxtbook.com/nxtbooks/ac/ac200007
https://www.nxtbook.com/nxtbooks/ac/ac200006
https://www.nxtbook.com/nxtbooks/ac/ac200005
https://www.nxtbook.com/nxtbooks/ac/ac200004
https://www.nxtbook.com/nxtbooks/ac/ac200003
https://www.nxtbook.com/nxtbooks/ac/ac200002
https://www.nxtbook.com/nxtbooks/ac/ac200001
https://www.nxtbookmedia.com