American Cinematographer - April 2006 - 83
The
Panasonic's P2 stands for Professional
It
RELIABILITY UNDER EXTREME CONDITIONS
Advantages of P2 Recording
Plug-in.
memory
virtually indestructible, and
are
shooting in extreme and adverse conditions of hot
digital cinematography. The P2 card,
encompassing four SD
small but
P2 cards
protected by a rugged die-cast frame. Real-life
bridges the worlds of computer peripherals
and
are
-
cards, acts
and cold
as
The
Advantages of Variable Frame Rates
Digital cinematography has
come a
necessary
storage to be taken. This frees up
recording space
long way in
on
the P2 card.
making more visually appealing, cinema-like images.
Also, the HVX200 captures in discrete progressive
Variable frame rate
frames, not interpolated frames. So, when you look
shooting is
a
main reason why.
temperatures as well as shock and
Rec and
the internal flash memory
vibration has been done, and the P2 card has
card, as well as an
external hard drive when used with
a
non-linear
Play at
24fps
performed with 100% reliability. The P2 card
Standard
editor.
Working with
The
not
NLE solutions
and
P2 is already
as
speed)
a
Overcranking
printed circuit
board, computer controllers for
maximum data
fast,
same
only the use of 4 SD memory
chips, but also
becomes easy
recording speed for movie production (playback at
design of the P2 card involves
encased in
a
speed, and all
rugged enclosure.
Only the top 1 % of chips
in the IT domain and
produced in the world is accepted
eliminates
since the
digitizing,
external hard drive. Here
are a
few of
ON-SITE CLIP SELECTION AND MEDIA MANAGEMENTaccess
allows for the
nature of P2
recording also
clips to be displayed as individual
thumbnails, which
can
the last frame
P2 card,
thereby
as you
would on tape;
140°F
Play at
24fps
1,500 G and vibration
Provides
15 G, operates in temperatures from -4 to
(-20 to 60°C), and
can
Undercranking
temperatures from -40 to 176°F (-40 to 80°C).
IT READY
-
drives and
Solid state memory
even
Rec at
is integral to com¬
12fps
display technologies such
worries about breaks in timecode. It is all taken
in the IT world
means
the P2
cameras
~!HI
rml
Shooting at half standard shooting speed
as
plasmas. Using P2 means you're IT ready. Being
no
half-speed slow-motion with standard playback
be stored in
puter technology, be it in digital cameras, portable
instantly be selected,
played or deleted. No need to worry about cueing
up to
withstands shock up to
up to
advantages of working with P2:
The random
a
providing optimum reliability.
clips will be
seen on an
the main
to be inside
Play at
24fps
integrate
~-
care
with
of with P2.
A REDUCTION IN YOUR MEDIA BUDGET
can use
cost of
the P2 cards up to
a
P2 card
saving you
can
money.
-
up
over
the data to lower cost
storage such as DLT, LTO or even DVD, and it's
are
you
media
concept alone can dramatically cut your
budget, since with tape,
you
can't
save
storage devices don't have to be
just
in the IT world and
now
they're a part of video production too. With the
current
prices of DLT storage at 25 cents
you can compare
cost
a
GB,
$50 worth of storage in DLT for
200 GB, whereas the
only saving the viable footage onto the P2
card. This
and archival
every computer system
time,
ready for the next project. And keep in mind
existing equipment in the IT domain. Backup
designed; they already exist. They are a part of
100,000 times, the
be amortized
Back
Because you
Provides 2x
equivalent videotape would
$200. Saving content to an IT device is less
expensive than tape.
The HVX200
employs the same variable frame
through the viewfinder while shooting in 24p, you
recording technology as the VariCam and is the first
are
hand-held HD camcorder to do
true
24p fashion.
The
advantages of shooting in variable frame rates
are
only limited by your imagination. Special effects
frame rate in
11
so.
The
shooting
720p native mode can be set for any of
steps (12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60
watching exactly what is being recorded, in
fps) between 12fps and 60fps.
such
Unlike VariCam, however, the HVX200 records the
warp-speed effects, time-lapse creations, ghost
progressive frames onto the P2 cards, not to tape. It
effects, strobe effects, and much
does not need to
in-camera, which yields a more organic, and realistic
in
the
quick-motion with standard playback
flag the frames for later extraction
post-production. As
a
result, fewer frames are
good takes.
captured onto the P2 card, allowing for only the
as
creating
a
feel to the effects.
dream-like feeling, motion blurs,
more, are
all done
American Cinematographer - April 2006
Table of Contents for the Digital Edition of American Cinematographer - April 2006
American Cinematographer - April 2006 - 1
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