American Cinematographer - May 2006 - 50
Dangerous Game
monitor to
see exactly what we were
getting. I actually felt it was easier to
Director
Christophe
Gans (left)
shoot in HD because you can see
and Laustsen
exactly what you're getting on set; if
survey a setup.
"We have a
you have any question, you can play
it back on the monitor and know
really great
relationship," the
cinematographer
says. "We see
eye to eye and
we
for
both believe
in
using the
camera
to
tell the most
interesting story
possible."
stocks, but I wasn't happy with the
grain we got. I really found what we
were
looking for when we turned to
HD. The look
really fantastic;
pushed the cameras about IV2
stops to +9dB gain, not so far that it
got noisy, but far enough that we
light and good blacks was about 3
4
I
wasn't, however, lighting
the
key. If you
to 4
footcandles
go too
low,
you
lose
sweet
spot
between extremely low
GC-EASr Lighting Inc.
lot of
had
shot
these
sequences on film, I would have
so anxious to
get the dailies
how low
approach] was working. A lot of
people told me HD is difficult to
use, but I didn't find it so compli¬
cated. But you definitely have to
know what look you want. I still
prefer the look of film, however,
because I think HD looks too plas-
HD
we
could shoot with the
cameras.
"I had
as
all your contrast and the blacks
become a mess. I found that the
a
we
been
was
could shoot in 1
footcandles, which is not
"If
or
light! It got so I would say, 'Kill the
practical in the corner of the set! It's
too bright!' I was really surprised at
we
End
sure.
the monitor,
as some people say
they do with HD. I was using it as a
checkpoint to make sure we were
getting what we wanted. I was very
glad to have it - it helped me get to
sleep at night!
to
never
shot HD before,
and working with
it for the first time
project of this size was extreme¬
ly stressful, for sure," he continues. "I
was
happy to be able to use an HD
on a
back every day. Shooting HD
it much easier to know
made
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American Cinematographer - May 2006
Table of Contents for the Digital Edition of American Cinematographer - May 2006
American Cinematographer - May 2006 - 1
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