American Cinematographer - June 2006 - 117
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Tim Smith, technical
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introduced its standard-def XL cameras,
it
expected them to appeal chiefly to
and never imagined indepen¬
consumers
dent filmmakers would embrace them.
Similarly, Smith thought the HD-SDI
output on the XL H1 was a feature that
would be most valuable in the broadcastTV market,
especially for news program¬
ming. Once again, he was surprised by
the indie community, which has already
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shown intense interest in the XL H1,
largely because of the HD-SDI output.
Although the idea of sending out
an uncompressed signal over HD-SDI is
appealing, storing and editing that kind
of footage can quickly become a logisti¬
cal nightmare. We wanted to look at a
way of working that would suit a produc¬
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on outputting digital
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over
so
the XL H1's HD-SDI
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online to recapture the source media at
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We began our XL H1 tests
indoors, shooting our subject, Lee
Perkins, under a skylight, then in tung¬
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with a candlelight test. Throughout our
tests, we tried to keep everything about
the camera as simple and basic as possi¬
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was
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American Cinematographer - June 2006
Table of Contents for the Digital Edition of American Cinematographer - June 2006
American Cinematographer - June 2006 - 1
American Cinematographer - June 2006 - 2
American Cinematographer - June 2006 - 3
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