American Cinematographer - June 2006 - 117

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effectively a 24-fps
Tim Smith, technical

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expected them to appeal chiefly to
and never imagined indepen¬

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dent filmmakers would embrace them.

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shown intense interest in the XL H1,

largely because of the HD-SDI output.
Although the idea of sending out
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American Cinematographer - June 2006

Table of Contents for the Digital Edition of American Cinematographer - June 2006

American Cinematographer - June 2006 - 1
American Cinematographer - June 2006 - 2
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