American Cinematographer - June 2006 - 122

im my

Jfib

Made in the
USA

motherboard for

onto the Mac Mini

USB, VGA, FireWire, everything. We've
done stuff that

Now extends to a 40ft

(12m) reach"
Super Rigid, Triangular,
Aluminum Tubing

Made Of

Shown with

optional

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Stanton Video Services Inc.

Bigger, Beefier Head
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Breaks Down To a 3ft 8in Package
Handles 50 lb. (22.6 kg) at 30ft reach
Operates Video And Film Lenses

2223 E. Rose Garden Loop
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e-mail: jim@jimmyjib.com
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A

NEW BOOK FROM THE AUTHOR OF

Every Frame

a

Rembrandt

In the world of filmmaking, the

stories don't

always end

best

up

this collection of

onscreen. With

lively anecdotes, cinematographer
Andrew Laszlo, ASC takes viewers
behind the

scenes on a

variety of

projects to illustrate how unforeseen
events can impact even the most

carefully planned production.
TABLE OF CONTENTS:
INTRODUCTION

*

FOREWORD

*

KIDNAPPED

*"...TO SIBERIA!"- FRIENDS ANDTHEIR BOATS
*TENNIS BALLS
*

*

SHOGUN

*

60-FOOT WAVES

REAL COPS, REAL BULLETS,

EXPLOSIONS

*

and

NIGERIA

GARBAGE

*THE COWARDLY LION - THE FIRST CIVILIZED MAN

ON THE SPOT-THE YEAR OF THE BEATLES
*

ACKNOWLEDGEMENTS

*

FILMOGRAPHY

*

-

EPILOGUE
INDEX

Paperback * 6"x9.25" -216 pages * ISBN # 0-935578-23-4
118

set out to achieve."

with

over

2.8GHz of

are running OS X
processing power,

2GB of RAM, and 8GB of flash memory.
The data from the Panasonic's DVX is
fed via dual USB 2.0 connections to two

Seagate SpeedStar 100GB 7200 rpm
micro-drives that slip into holders on the
side of the camcorder; each provides
the capacity for one hour (per camera)
raw

4:4:4 information. The drives

a steady stream of
29MB/sec data. "We're recording 29

/

/

/

we

The Mac Minis

receive and record

55 lb.

Control

achieved what

of

Weighs only
Full
Remote

a

couldn't do without

-

More Stable

Jimmy Jib Ute

lot of electronic

engi¬
destroy¬
ing the Mac Minis. Certainly, we've got
a pile of wasted cameras and comput¬
ers"
FireWire is prone to catching on
fire when wired incorrectly - "but we
neers we

megabytes per second times 2, which is
1,200 percent more data than you can
get from a monoscopic HDV camera,"
says Goodman.
Although the DVX100's 3 CCDs
are 770x492, through a Bayer demosaic
algorithm Andromeda is able to interpo¬
late 1280x720 by treating the three
CCDs as one large hi-def CCD (the three
together make up 1386x990, from
which 1280x720 is extrapolated). This is
a
very similar technique that is
employed by many of the HDV cameras
available on the market today. It's
important to note that although this
algorithm interpolation is taking place,
no color decimation or compression of
the signal is happening - the informa¬
tion is still 4:4:4 10-bit.
"In my mind, in order for 3-D to
fly, every cinematographer needs to say,

'Yeah, I could

use that camera,'" says
Goodman. "When you see a more tradi¬
tional L-shaped configuration with a

beam-splitter on the front, you immedi¬
ately know how restricted you're going
to be; you can't do handheld, you can't
do Steadicam. Cinematographers want
something that's functional, something
they can put on their shoulders. They
want a camera, not a contraption."
21st Century 3D achieved this
run-and-gun camera in three years. The
new 3DVX3, which replaces the 3DVX



American Cinematographer - June 2006

Table of Contents for the Digital Edition of American Cinematographer - June 2006

American Cinematographer - June 2006 - 1
American Cinematographer - June 2006 - 2
American Cinematographer - June 2006 - 3
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