American Cinematographer - June 2006 - 68

Taking on Water
the

wall and

poked it through."
lighting for this scene
was done by the actors, who wield¬
ed powerful flashlights. "The galvanized-metal walls bounced the light
around nicely, but we'd also occa¬
sionally sneak in a supplemental
flashlight or two here and there,"
says Seale. "I think Josh Lucas
should get a lighting credit. He was
very good at getting his flashlight
right where I needed it!"
While
high-pressure air
blasters built onto the splashbags
generally kept water off his lenses,
vent

Much of the

Seale

was

this issue

not so
on

concerned about

Poseidon because the

we were going
odds with a bit of rub¬

"documentary style
for wasn't

few drops of
great."
The production occupied five
stages on the Warner Bros, lot, with
some additional shooting done at
the Staples Center sports arena in
downtown Los Angeles. "Because

bish
Above: Our
heroes must
race

through
ship's

the

central service
corridor to
reach the

engine room
possible
escape. Right:
A waterproofed
and

low-mode
Steadicam

captures the
action. The
witness-

marked wall

behind the
actors was

undoubtedly
replaced with a
convincing
background.

64 June 2006

the

multiple cameras' need to keep

each other
it

was

fun

out

of shots - in the DI,

looking for and finding all

the cameras, lenses or crew

that the CGI

in shot

boys missed! Even in a
sequence much later in the film, as
our heroes are moving through an
air-conditioning ventilation system,
I wanted to keep that long-lens feel.

So

we

constructed the vents, which

measured

23-by-23 inches, with fly¬
sides to give us plenty of space
to angle in. That also helped the
actors, who might have otherwise
felt claustrophobic crawling through
away

them. We also used

when

we

closed in;

a

wanted to
we

snorkel lens

keep things
just cut a small hole in

at

on

water. I

we

had

both

the front,

a

think it looks

to

have the

same

sets

built

upright and upside-down -
including a five-story foyer and a



American Cinematographer - June 2006

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